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Neither pickup layout is going to sound like a Fender Stratocaster. The Ibanez five-way HH circuit would do most things. The RG variant with a DiMarzio rails pickup in the neck position strikes a good compromise.
My advice to your friend is that he should be proud to be stout.
If you use one of the various varieties of superswitch you can have any combination of splits in the middle three positions.
If you want the closest to the two most popular Strat sounds, you can have:
Bridge humbucker
Both inner coils (‘Strat in-between’)
Both humbuckers
Outer neck coil (‘Strat neck’)
Neck humbucker
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I've even considered just putting one in that isn't even connected just for the look but never get round to it.
Personally I have no problem with the aesthetics of HSH and depending on the wiring it's a much more versatile layout that could help cover more tonal options without having to change guitars. And for gigging I tend to prefer one guitar that can do it all and gives more flexibility for song order. If you do change guitars you have to arrange the set to minimise guitar changes and that can be limiting and not ideal.
Controls: Volume, Tone(Push/Pull Parallel Bridge Pickup),
5-Way Custom Pete Thorn Wiring
1.Bridge
2.Both Single
3.Both Hums
4.Neck Single
5. Neck Hum
Neck Pickup: Thornbucker
Bridge Pickup: Thornbucker+
I'm a HSS/superstrat guy but I've actually been impressed with Suhr's HH sounds on a 5-way switch, particularly the inbetween positions, but I recently heard an EBMM Albert Lee HH and a EBMM Luke III HH and they were both excellent in those formats.
I was pleasantly surprised by the amount of spank/quack in there as well as the excellent and strong Humbucking sounds