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Ebay mark7777_1
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
Ebay mark7777_1
I love it so far, through headphones. I will bring it to practice on Monday. I play through a power amp and cab so it will be interesting to see how good it will sound, but I think through headphones I prefer it to the Kemper. And it seems to me it's light years ahead of the Helix.
I've bought a 2 button footswitch that goes on the side of the unit so it's essentially a FM5 now.
Reading this thread, I'm glad I stuck with Helix + Kemper personally.
I've been a long time Kemper used, and tried to adopt the Helix with little success, although I love the HXFX, and I am so impressed with it. In this capacity it's easily the most realistic and authentic sounding modeller I've ever used. If I didn't know it was digital I wouldn't have been able to guess.
I set up a BE100 HBE preset and it absolutely ripped.
I think I'm a Fractal fan boy now!
Nothing. I've got one and I believe they're still shipping them. I use a 1/4 inch to 3.5mm jack into an adapter. Works fine.
Apparently the headphone socket one still has a hefty wait time.
That thread, the guy could've just got a USB interface and a lot of his issues would have been solved.
The most recent case is with AX8 Firmware Update - the product is now clearly "end of life". However, last September, before it became officially acknowledged as being obsolete, the head honcho at Fractal (Cliff ?) stated that he was personally working on an update to AX8 and that it was taking some time. Since then, nothing. Only last weekend someone in Fractal Support was fielding requests in the support forum as to whether the firmware update was ever going to appear (12 month on).......the support person denied that any such statement had ever been made but was quickly corrected when the original support thread was produced.
I guess this situation can happen to any company in any vertical, especially niche technology such as guitar signal processing and that a lot of the time, commercial decisions dictate when you kill a product off but it can leave a bad taste all the same.
I sold the FX8 and am quite happy with the AX8, it works for me and I doubt that a "full ARES port" would offer any significant improvements.
Ebay mark7777_1
This product, with its size, form factor and stylings could be their biggest earning product if they can convince people to leave Helix and Kemper to give that a go. They need to better market the intuitive control system. You can go to multiple scenes with one footswitch. I had 6 scenes set up on three footswitches and then could hold one to go to another preset, which then gave me a further 6 scenes.
Personally, I think this is leagues ahead of Helix in terms of sound and it's a third of size with a huge amount of functionality. If they were in local guitar shops I think they could clean up.
I remember when I had my Axe FX II I tried plugging a Roland TD-20 into the midi input to get midi into my DAW. The Axe FX couldn't keep up with the midi stream at all and would regularly collapse.
Support team told me it wasn't a supported use case.
My Helix doesn't struggle with anything like that. *shrugs*
If they're gonna bill their device as an all singing all dancing thing that can be the centre of your home recording hub, then it really needs to. ... erm... well... do that.
Devices have teething problems when they're released. I got a HXFX when it came out and the USB type B port snapped off, it seemed to happen to a few people, the Kemper Stage has switches that are are extremely fragile, amongst other issues that were both fully aware of.
New devices always have issues, and if you rely on something as a source of income you shouldn't put all those eggs into that basket. If you're a recording musician or work from home in that capacity, you should have simple backups like a £100 Focusrite pre that you can plug into Garage band and use those sims.
Again, you're right that products should do what they say they will from release day, but we live in an age of release now, patch later, and I just don't think he can realistically blame Fractal for the loss of income in this scenario.
Personally, I still seem them as that. I think Kemper is up there with them for recorded sounds, but are lacking heavily in the effects department. I don't rate Helix as highly as Fractal and Kemper. But that could be my sucky tweaking skills.
I have no patience for tweaking, and the irony is that the Fractal stuff is meant to be all about the deep dive, and I got better live tones in 20 mins out of this thing than in 9 years of trying with Kemper. I had some good stuff with the Kemper, but I've always maintained that it's a recording device first and a live tool second.
If you're on the waiting list and you have the chance to get one, seriously consider it.
three foot switches are a limitation and would take some reasonable careful gig planning but, that's said, using and swapping between the foot switch modes is very intuitive, as is scrolling across the footswitch 'pages', for want of a better word...