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Hendrix
Van halen
Django
Robert Johnson
Leslie West because he was in Mountain
Dave Edmunds because he was in Rockpile
Then there's Slade's legendary axeman Dave Hill.
Keith Richards because he is a Rolling Stone.
From the 13th Floor Elevators we must have Rocky Ericsson.
I know he's not a guitarist but I think Keith Flint would have been great on vocals with this lot.
At least if this lot don't get onto the Mt Rushmore of rock, then they could play the geologists' ball.
Then again maybe not. I bet the critics would really slate them.
Can't be allowed to desecrate a beautiful mountain with that sort of filth.
I’m so bored I might as well be listening to Pink Floyd
. . . Museums, cemeteries!... Truly identical in the sinister jostling of bodies that do not know each other. Great public dormitories where one sleeps forever side by side with beings hated or unknown. Reciprocal ferocity of painters and of sculptors killing each other with line and color in the same gallery.
They can be visited once a year as the dead are visited once a year.... We can accept that much! We can even conceive that flowers may once a year be left for la Gioconda! . . . But we cannot admit that our sorrows, our fragile courage, our anxiety may be taken through there every day!... Do you want to be poisoned? Do you want to rot?
What can one find in an old painting beside the embarrassing contortions of the artist trying to break the barriers that are impassable to his desire to wholly express his dream?
To admire an old painting is to pour our sensitiveness into a funeral urn, instead of throwing it forward by violent casts of creation and action. Do you mean thus to waste the best of you in a useless admiration of the past that must necessarily leave you exhausted, lessened, trampled?
As a matter of fact the daily frequentation of museums, of libraries and of academies (those cemeteries of wasted efforts, those calvaries of crucified dreams, those catalogues of broken impulses!...) is for the artist what the prolonged tutelage of parents is for intelligent young men, drunk with their talent and their ambitious will.
For the dying, the invalid, the prisoner, it will do. Since the future is forbidden them, there may be a salve for their wounds in the wonderful past.... But we want nothing of it -- we the young, the strong, the living Futurists! . . .
F.T. Marinetti
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
(He said, slandering drummers for the sake of a weak gag.)
Well two, really, including guitars4you.
Blackmore influenced a great many rock guitarists.