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I'm actually quite happy with the acoustic tone as it is. The sycamore is not as loud as a spruce top could be, but it sounds a lot better acoustically than I expected from something this small... and that staple pickup seems to translate its natural tone perfectly
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Wide sky make some similar models and they recently did a single pickup one that on the surface looks very similar to this idea, but again its a chambered electric rather than fully hollow
Nothing wrong with that, except I have been trying to classify my build in my head and struggling. Those styles above are great examples of chambered electrics. Not sure mine fits in the same category, but I certainly get the visual comparison.
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Trading feedback here
The chambered approach does mean the guitars will be a lot more feedback resistant. Not tested mine in anger yet, but expect it to be close to the laminated hollowbodies in that regard (not great), but the solid sycamore top should be a bit more resistant than the solid spruce on a proper archtop
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Different things really - my Little Sister has a real electric parlour feel to it, but Wez's looks more grown-up and meaty. Definitely room for both here. Just saying.
Not in any way to say my idea is better, I actually think most modern guitarists would be better off with the chambered electric approach
I built this one because the idea interested me, ansd allowed me to practice some skills for future, more challenging builds
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Nothing at all wrong or unusual there but you really don't have to bother to explain your thought processes or ideas ... unless you wanted to
As always yourbuilds are great and educational
That might be fun!
Some old builds to finish off, including a chambered LP custom style, fanned fret caparison inspired build and a little mustang with unusual wood choices.
Just started a DC special/junior build with a few differences.
Then next spring I think it will be time to start another hollowbody. Maybe a GB10 inspired build.
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