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@Hattigol - sorry...! I highly recommend them though... But also yay to guitar-sniffing! My Rickenbacker smells awesome too, though strangely quite different despite also being maple. Maybe it's the case after all.
@Camf yes. I've basically spent 90% of my free time sitting 2 feet from the amp in a variety of opening tunings just enjoying the feeling of the whole system working together in and out of feedback. I love it.
In violin family instruments its a structural support, but with easily quantifiable tonal impacts. it stiffens the soundboard making things a bit brighter. It also helps when bowing, where the force is greater from the treble side... note you have a sound post on the treble side and a brace (bass bar) on the other in these instruments.
I haven't tried it, but the stuff I have read suggests you lose some volume and richness when using a soundpost in an acoustic/archtop guitar. of course, this may be exactly what you want to achieve in a thinline electric guitar...I would expect it to change the way it responds to feedback... i'm hesitant to say better/worse
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I'll give it a go and we'll see
This is a ‘59 RI VOS from the 2015 run of lefties.
Bought last December from the USA
https://www.leboncoin.fr/recherche?category=30&text=gibson es330
I hope this one's a keeper for you.
I got mine in 2009 from Jamie Hartnoll's - it was a 60th birthday pressie from Our Maud. Hmm - I was going to post a pic, but postimage doesn't seem to be working today?
I’m pretty chilled about the whole process as if I hadn’t gone through it I would have still been umming & ahhing, whereas now I’m 100% sure it’s a keeper.
I do want to switch the pickups for something a little lower in output purely so it isn’t massively louder than my other guitars, and I may experiment with a Faber bridge, but it’s great guitar ad I’m very happy to be back here.