It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Something for the OP to consider - if you like rounded profile necks, check out batwing pickguard models, whereas if you prefer a slim taper profile, look at small pickguard versions. For some reason Gibson have been pretty consistent in matching these things up on their standard/special/custom SGs, though there are a few exceptions.
I've owned a few SGs with different pickups, my favourites are 490/490 or P90s, but it's a personal thing and classic '57s and burstbuckers are pretty decent too.
Right now I'm actually interested in the new Epiphones - their version of the 'modern SG' is actually better spec'd on paper and a third of the price of the Gibson version. Not that I really need another SG...
- Strap button moved from behind the upper horn to the back of the neck join (now no neck dive).
And I just checked out the Epi SG modern. Looks pretty cool!
Congrats. I have the Red one and love it.
I’ve had loads of these, and have two at the moment.
Each to their own.
My other Corvette is a white one I get from Hiroshima, was Japanese release only. The original Gretsch Megatrons were great, but I’m a tweaker, so now it has a set of slightly over wound Gretsch Hilotrons in it, sound fantastic.
early Beatles), tele sounds, and rocky tones. Great for cutting through a mix.
the only problem with these guitars is the Bigsby B50, which is horrible and tough to use.
In case anyone in curious, this was the process.
I had to rout out about a quarter of an inch of the forward face of the bridge pickup rout, and just knock the corners off the neck pickup rout. I also glued and screwed in a block of scrap alder as the bridge P90 mounting screws won't reach the bottom of the cavity otherwise.
I've mounted them directly to the body as I didn't want to carve any more wood away than necessary and only had Soapbars anyway. I put dummy screws in the scratchplate afterwards.
I also didn't have a small drill bit long enough to reach the control cavity from the Vibrola screws, so I ran a hidden ground wire from there forward to one of the now redundant tailpiece holes, then cut down and slotted a tailpiece stud to trap it in there, to act as a string ground.
When screwed all the way in it's near as dammit flush with the body.
The Vibrola is an aged nickel Crazyparts one and it's excellent, way better than modern Gibson or Allparts versions. The design is correct, giving a good string break angle, and the spring is properly heavy duty.
Currently for me it's one of those had-to-be-done guitars, and for first Black Sabbath album or Live at Leeds tones it absolutely nails it, but I'm not really sure whether it's going to stay as it is.
I'll certainly keep the guitar though, as now the work is done, tone-wise I can pretty well turn it into any SG I'm in the mood for whenever I have the strings off.
My the Paul has the big size Gibson headstock and proper Grovers and doesn't get neck dive*, so is it the strap button position on an SG?
*Maybe it does and I just don't notice it