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"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
The best solution in my opinion is simply to connect the output of the P90 switch to the output of the toggle switch/input of the volume control, and then you will have a master volume and tone with normal pickup switching and switchable P90.
If it matters, I have that exact system on my PRS, although with a mini-humbucker in the middle rather than a P90. It works perfectly and is totally logical to use.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
The so-called Peter Frampton circuit is, arguably, a more practical alternative.
Neck and bridge pickups via the selector switch, then, the lower volume and tone controls. Centre pickup via the upper volume and tone controls. This way, it is possible to turn down your humbuckers and have just the P90.
Have you routed a P90 cavity yet? The SG body is pretty slim. Deep enough for the cavity but not necessarily leaving much wood for the P90 screws to bite securely. (Obviously, humbucker-sized P90s, suspended through mounting rings, will not face this problem.)
If you intend to use a humbucker-sized P90, consider trying it in the neck/Rhythm position before routing the Epiphone body.