It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
If starting from scratch with an insurance payout equivalent to the appx value of the above I would probably get:
Replace like-for-like my Schecter strat.
Buy a mid-budget acoustic, again this is like-for like.
I think that just about leaves me enough left over to buy a 2nd hand pro-line Gretsch if I was patient enough to wait for one to come up at a decent price. Something like a 6120 - or similar.
Out of the non-replaced guitars, I would miss the P90s.
I would probably have a more streamed lined collection. Rather a T5 with a GS mini I would just have a Taylor or Martin.
Rather a PRS 305 and a Fender Strat I would just have a Fender CS Strat.
I'd buy a lighter strat (probably mij), I'd not replace the 84 Strat or Suhr, I'd not replace the RG8, or the Bass VI, or possibly the gordon smith. Maybe even the Tokai 335, I'd use all the money from those and the Eastman AR 905 ce to by a lefty ES175 either a Gibson, 77 Guitars or an old Aria.
Hmm I might act upon some of that!
So further down the road you can better afford the CS strat, you’re better able to justify it with ability AND you’ve learned by now you’re a strat guy and don’t require a massive collection.
So I'd replace the current crop with:
(1) As many custom shop equivalents as I could afford (the insurance wouldn't pay enough to cover them all), all with medium-wide necks - say 47mm at the nut, give or take.
(2) Also one or two off-the-shelf 12-strings strung as sixes (because most 12s have a 50mm nut ex-factory - slightly too wide for me but pretty good, and better too wide than too narrow) and because I like the compressed dynamics the heavier build of a 12 provides.
(3) Plus one exact equivalent: the Cole Clark Angel in Huon Pine and Queensland Silkwood. I don't think Cole Clark offers custom necks so I'll accept a squeezy 44mm on that one. I have 7 #1 favourite guitars but all things considered this is my #1 #1 favourite.
All up I think I'd go for about five (I don't need seven guitars). Maybe:
* Standard Cole Clark Angel III (direct replacement but custom order because of the rare timbers)
* A custom Maton Artist with a 47mm nut (808 or Traditional body, Sitka Spruce and Blackwood).
* A custom Maton with a 47mm nut, 808 body, Western Red Cedar and Queensland Maple.
* Something nice in traditional spruce and rosewood. Possibly a custom Maton Messiah, possibly a Lakewood, could even be a Taylor or a Martin if I stumble across one I like. (I once fell in lust with a particular used HD-28. When I went back to the shop, it was sold.) OR something with similar sound qualities in different timbers - it doesn't do to get fixated on something just because it is traditional.
* By some miracle, another Thunderhawk.
No. Cancel all of that. I could go down an all-day rabbit hole just thinking about it. Here is the new plan:
(1) Look all over town and buy the best guitar I can find on the day. No preconceptions, play everything, take the the nice one home.
(2) After appropriate thought, commission a custom build to go with #1.
(3) Repeat (1).
(4) Repeat (2).
(5) Run out of money. Stop there.
A decent drive and delay pedal is plenty enough 99% of the time thanks .