I've recently managed to resurrect my long 'broken' Blues Deluxe Reissue by using a repair kit from Keld Ampworks and also putting in a new reverb tank. It's been about 9 years since this amp worked and I forgot the about crazy loud jump in volume from naught to deafening in the tiniest of turns on the volume knob.
As Christmas is approaching, I am pondering putting on my Christmas list (yes I am a 40 year old man) either a JHS Little Black Amp Box (or the self-build kit from Keld) which goes into the effects loop or perhaps a Bugera attenuator between the amp and speaker. My understanding (I could be utterly wrong) is that the effects loop volumes just affect the pre-amp valves, whereas the attenuator controls the power amp ones. Does that mean I could get a better 'cranked' tone at sensible volumes with the attenuator or is an effects loop volume just as good? I really don't know which is 'better'.
I can appreciate that the Bugera attenuator might be a bit budget as far as attenuators go, but I'd like to keep within a reasonable Christmas present budget : )
Thanks in advance for responses!
Comments
as you say - an attenuator it is not, and you're not cooking the power valves any more. - I never used an attenuator with the deville, but I do use a hotplate with my chubster
just because you do, doesn't mean you should.
However, many people find that the preamp type works very well, is much cheaper and more convenient, and doesn't wear out the power valves like a power attenuator does, so if you don't have either and you're unsure which to buy, I would try that first. The Lion Tamer is highly recommended!
A power attenuator is also a bit of a pain to use with one of these since the speaker cable is nowhere near long enough - you'll need to use an extension cable or replace the combo's one with a much longer one so you can sit the attenuator on top of the amp.
There's also no reason you can't use both together if you ever want to - that would allow to balance the preamp and power amp overdrive as you want. I've never tried it with one of these amps, but it can work very well with the reissue non-MV Marshalls with a loop.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
The popular modification was to change to audio/logarithmic taper. Eventually, Fender integrated this into the circuit themselves. (HRDx mk3.)
Yeah I did wonder that also! I suppose it's not impossible to change the volume pot still. I got the amp (new) in early 2007 I think, not sure which mk of amp that makes it, but I guess I can test the pot to see if it's linear or not.
Either way, the Lion Tamer or other volume box is more effective than changing the amp's pot even for a true 10% log, since it comes at a later point in the circuit after which there is no further compression unless the power stage is cranked into overdrive. It's also *much* easier than changing the pot, which is a bit of a faff as it needs to be a very specific type to fit the PCB, which has to come out fully to get at it.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Not unobtainable, but harder than a standard PCB-mount pot.
If absolutely necessary, you can sometimes remove the frame from a broken pot and re-attach it to a new one - it's held on by the tabs that hold the normal pot casing to the bushing part.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein