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Surely it's just a matter of how an individual decides to spend their own money and make their own choices?
The opening post clearly states that the subject of discussion here is "solid maple b&s dreads". There's a whole forum to discuss anything else.
Yep. You certainly pay top dollar for them now - but worth every penny I reckon. I was able to play an F-512 (rosewood) and an F-512 Maple side-by-side. The rosewood one was excellent and I couldn't fault it, but the maple was in a completely different league. I noted that they sold the maple one just a couple of weeks later (not many people in a little town like Hobart buy $8000 guitars of any kind, let alone 12-strings!) but they had the rosewood one for some months before it went.
What a visual horrorshow! They start with a perfectly good, beautiful looking timber like Rock Maple and then cover the thing in ugly stain. That is just so stupid. I like a lot of things that Taylor does, but their idiotic habit of coating beautiful natural timbers in stain colours most people wouldn't use on a bloody floorboard, never mind an instrument, undoes a lot of their good work. I've even seen Taylor dye Blackwood - a timber people go out of their way to find and pay top dollar for because it is so good looking.
Not if you let the idiots at Taylor near it!
” Maple is occasionally used for soundboards, but more often for backs and sides, due to its flatness of sound and for its relative shortness of decay—an attribute that happens to make the wood more resistant to feedback in amplified situations than rosewood or mahogany. Not all builders find maple to be a suitable top material, though. “I wouldn’t typically recommend maple as soundboard tonewood,” says Andy Powers, Taylor Guitars’ master luthier. “One of its singular characteristics is that it’s almost perfectly transparent—it doesn’t sound like anything, which isn’t usually how you want a top to respond.”
https://www.tfoa.eu/nl/blogs/blog/tonewoods-explained/