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In both instances, I only remember being impressed by the full output series mode. Things might have been better if I had opted for a partial coil split via a capacitor or resistor.
Consider the STHR-1B Hot Rails or a DiMarzio DP384 Chopper T.
As a fan of raunch and twang, I prefer a regular T-type single coil pickup through a switch that selects between Eldred mod preset, vol + tone, vol only.
YMMV
Remember having a tone zone s in the mid position of a RG470 - I split that permanently and it was terrible!
Admittedly, the PG4T is intended to sound like a Gibson. It succeeds in this up until about the fourteenth fret. Thereafter, the mechanical sustain of the screwed-on neck construction fails to keep pace with a set-in neck (and a stud-mounted bridge and tailpiece combination).
There has been a "Fifties" version with a maple neck and pine body, followed by a "Sixties" version with a brown fingerboard, nato body and all of the Custom Esquire cosmetic trimmings.
If I wanted traditional Tele bridge sound then Id have a Standard Tele, if I wanted one with a humbucker at the bridge, Id have a second Tele so equipped…
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