And they come
And they come
See them prancing
They come neighing, they come
A horse nation
See them prancing
Neighing they came
See them prancing
Proudly they will come again
The whole world is coming
From the four directions
Scream and shout
See them prancing
They come neighing, they come
A horse nation
See them prancing
Neighing they came
See them prancing
Proudly they will come again
The whole world is coming
From the four directions
Scream and shout
See them prancing
They come neighing
A horse nation
Neighing they came
See them prancing
They come neighing
A horse nation
Neighing they came
See them prancing
Proudly they will come again
The whole world is coming
From the four directions
Why don't you scream and shout?
Roland said: Scales are primarily a tool for categorising knowledge, not a rule for what can or cannot be played.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Comments
Not true, a lot are actually meaningful. I agree that The Cult are one of the bands who are more about the sound than the meaning though.
She Sells Sanctuary is also the first song I ever played live, so I'll always give them a bit more leeway...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Here’s another banger:
The wild wide eye with her painted wing
She crushed the gray boy
Don't you know my selfishness was my suicide
Her painted wing became my suicide, suicide
The whole world did not start to cry
They just got inside me
And now they walk behind me
They walk behind me
They walk behind me, oh Lord
Like little dogs
Like stony dogs, you know
Stony dogs, stony dogs …
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Sometimes lyrics can sound trite because the meaning isn't clear. But some are basically dog shit bad too
Honestly, though, for me it's all part of the sound. If I want to be moved by words or inspired by thought, I'll talk to a family member or a good friend, or read a book.
I'm in danger of derailing the thread here, but it just makes far more sense to me to think of lyrics as vocal sounds, with those vocal sounds as another part of the sonic mix. It's also a purely practical decision on my part- e.g. I love AC/DC but if I really listened to all of the words in the songs, there's no way my adult brain could justify that load of old rollocks.
I can see how people enjoy listening to words in songs for the meaning though. Each to his own.
Classical music has done alright without having lyrics.
hot sticky scenes you know what I mean
like a desert sun that burns my skin
ive been waiting for her for so long
open the sky and let her come down
l really like Love era Cult and Electric is absolutely amazing
And it has some great lyrics
living in a shack in a one horse town
trying to get to heaven fore the sun goes down
lizard in a bottle yeahh
dizzy in a haze for forty days
hey there little devil
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Undoubtedly, lyrics are important to some songwriters. Some write great lyrics, some think they write great lyrics. I enjoy them sometimes if they catch my attention but mostly they don't.
As for The Cult specifically... Astbury makes the right noises, I couldn't quote any of his lyrics.