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He said that he's using a Lewit 440 pure condenser mike.
I'll do more of a review once I've played with it more.
Trier it through a blackstar 1x12 speaker was badged as celestion 80, so 70/80 perhaps.
Also tried it through a Yamaha dxr10.
The eq needed tweaking quite differently. Also eq does seem to be quite key.
Anyway I liked it enough to buy it. Am expecting it to replace my Artisan 30.
Just had 15 mins at home through my blackstar cab with v30s. Much better but guessing it's not the best for the clean sounds.
Initial impressions.
Very valve like and tough responsive.
Reacts well to volume control.
Very loud.
Heavier than I expected, feels very well built.
Like a real amp it sounds better on 100w with the volume down. Somehow more authoritative.
I really like the USA sounds even through a v30
British sound is also good, I prefer it on a lower gain setting.
Doesn't do metal but has plenty of gain for me. Although I may want to hit it with a tube screamer at some point.
No idea how I'm going to use it yet . Will be good to find out how well it takes pedals
Anyway, I think it's safe to say that Thomas is peeved - apparently the custom-designed power supply section of Amp1 that he designed 10 years ago is copied identically in Amped 1 - he used the word "stolen" a handful of times.
It's it's been stolen that implies there is some legal protection. A patent maybe?
If it has been stolen in the legal sense then surely he has some recourse.
It's around 50 minutes and 40 seconds he starts to talk about it.
I challenged a Blackstar demonstrator about it and he said it was because it had one preset footswitch and maybe there was an "Amped-2” coming next with two preset switches…
I'm not sure TB has any right to feel aggrieved, but the free publicity within a small marketplace won't hurt.
I asked him about the Amped 1 and mentioned this thread. He said it was designed completely in house at Blackstar, as was the SMPS in the new St James amp. I also mentioned the DI level of the Amped 1 going up with speaker level. He said that's what would happen when turning up a mic'ed amp, plus the DI isn't just tapped of the driver stage, it's post power amp behaviour.
He was using 2 St james amps in stereo, DI'ed straight into the desk. and a largish pedal board. He had the U2 tones and effects completely nailed. At the end of the gig he showed me how light those St James amps are. Quite impressive.
It's good to see a UK company coming out with new and interesting designs. I just hope the reliability holds up.