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Comments
One part that was really interesting to me was how everyone dealt with the slowing tempo.
5 points - DigitalDave
I found the first parts pleasantly uncomfortable to listen to (!) - I know thats intentional and is some cunning note choices, timing and scales - what was going on there? - there are some big intervals in there and I love ear catching stuff. (were you the Holdsworth fan - I can't remember)
The B section - I REALLY enjoyed - from the sustained whammy bend coming back in to land on in the right place - nice delayed tone and the muting at the start of the part when you introduce the thematic licks was really nice and established - and you came back to it a couple of times which makes everything sound planned and written. I liked both the melodic line and would love to cop that lick that you vary at 46 secs, and at 52 secs.
Theres a lick in there that is particularly nice to my ears at 56-57 seconds - not over flash but reminds me of the kind of thing that Justin Derrico does in his live solos with P!nk that get the listeners back on home turf after he's been shredding and showing he's there
The end was spot on stadium closer - nice touch!
3 Points - Fastonebaz
This was all about the double tracked start for me and the very ending.
I'm really impressed at the effortless way you stick the quick passage in where no normal human would - especially after con the listener into thinking they are listening to Skynyrd!
- and again - double tracked?! - Thats awesome.
The descending passage that goes into the B section is really satisfying after the nice double stops.
One thing I really like is that every note is played with 100% conviction and all the timing is spot on - and that just makes the whole thing solid and confident.
The ending was very cool the big bend from major was ace, and then some
You can do this stuff in your sleep!
1 Point - Stratman
I have to say the opening to the B section in Stratmans track was very enjoyable to listen and re-listen to - I really liked the tone and tune really well played - and obviously the legato at the end - thats your secret weapon! - what was that?
Again, you can do this stuff in your sleep and its really impressive!
However, like I said - there is great stuff in every solo, and having ducked out for months, I know how long it takes to prepare and do this.
Marharg101 - Totally solid playing throughout my favourite bits were the B section especially 32-33, and 38 seconds, and the repeated ending at 1.01 was great as the track slowed - and it was a completely great choice for that part of the track - really sold on that.
Flying_pie - I really rate the fact that you went out to have three very different styles and sounds - thats imaginative and creative - I might have a go at something like that but I know I'll struggle to play the styles so differently and convincingly. Did you pick the tones out first and then work out what to play with those tones in mind?
Bellycaster - I liked the tones you used with the vibe in there - pretty wild felling, and the sliding descending (sixths?) - I've aways loved that - Steve Stevens does that and its memorable playing. The ending from 1.01 was cool - ESPECIALLY from 1.01 - because that choice of descending notes really brings everything back into control for a few seconds, and then gets wild again for the ending. Ace!
Well done everyone great work!
Cheers,
Ben.
At the moment I'm looking for:
* Hamer Watson, SS2, Vintage S, T62.
* Music Man Luke 1, Luke II
Please drop me a message.
Lots of great playing and novel ideas from everyone.
Enjoyed listening to them all loads
5 Points @fastonebaz - A proper face slapper there. Smoke from the frets, the lot. Great mix of techniques and finger wizardry.
3 Points @stratman3142 - Good mix of restraint and finger liquidity. Very precise playing but with plenty of feel.
1 Point @DigitalDave - Unusual but still compelling in the first section and extra kudos for channelling Nuno in that section. Playing remained great throughout and loved the addition of Freddie at the end.
5 points @fastonebaz for a ripper
@fastonebaz ; solo fits like a glove - unison bends at the start, guitar noises and slick lines throughout - nice!
@Bennyboy-UK ; a well tempered melodic approach - i really liked the tasty line at 0:31-0:36 reminded me of something Mr Lukather would do
1 points
@Bellycaster ; loved that phasey sound ; playing = superb
Bennyboy-UK said: what was going on there?
just messing with the pentatonic shape on the top two strings but stretching the hand a bit further. Nothing too fancy!
(were you the Holdsworth fan - I can't remember) big Allan fan i don't understand any of it (who does?) but i love it.
would love to cop that lick that you vary at 46 secs, and at 52 secs. that's just a major scale pattern with a note repeated from string to string and a bit of hybrid picking to smooth it out.
I began jamming with a humbucker rock tone in mind but I felt the key change would suit a countryish rock type approach to start with and knew I'd use a Tele for that. Being honest I just used my gig rig default amp settings and I didn't spend much time on it as I'm really busy at the moment. IIRC I used different IRs for each of the three tracks but it was mainly down to the guitars and pickups selected rather than worrying about dialling in tone.
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