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A couple of beer crates or similar can also work well
As well as that, I’d consider EQing each guitar differently (and sometimes even playing different parts) so you’re not fighting over the same frequency space
And I hope I’m preaching to the converted when I suggest proper moulded earplugs, as they help you hear everything more clearly, and that includes your own guitar, obviously
Putting an amp on a crate isn't any higher than a vertical 2x12, so that doesn't work.
EQ-wise, it's fine. We're 3 albums in. It's all fine in that regard.
The issue is simply my amp is aimed at my knees.
It may also be better to point it somewhere other than out into the crowd - that way, you can turn it up further without it being too loud out front. Make sure it isn't pointing directly at the vocal mic or other band members as well though...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Rift Amplification
Brackley, Northamptonshire
www.riftamps.co.uk
We use the mixing station phone app so you can individually adjust the levels of each instrument and vocals. Sometimes I have one ear in and the other out to feel a little more connected to the crowd.
Without IEMs every gig will be different and you will face different problems. For example, tilting the cab towards you will work in some venues but then playing outdoors can result in hearing too much of your guitar and it can actually have a negative affect on playing.
Either mic up the cab or use XLR out if your amp has one.
Ebay mark7777_1
Are you all playing with loads of verbs and delays?
have you had your hearing tested?
have you asked someone in the crowd if they can hear you?
3 guitar bands can be very tricky, Saw Wolfgang VH a few months ago with three guitarists, all three were EQ'd very differently and the chap on stage right had no bass coming through front of house, guy on stage left had loads of mids and not very compressed, WVH was much more compressed and a bit scooped out.
Get a vertical 2 x 12 with a slant on the front baffle or fit tit back legs on your cab.
I wear ear plugs as well but it works for me without having to point my cab away from the audience.
As kier said, these are cheap and convenient - I used to use one: https://www.thomann.de/gb/standback_ampstand.htm?glp=1&gclid=EAIaIQobChMIw4C_tbSsggMVEMbtCh3VnQNREAQYASABEgLjiPD_BwE
If I were gigging these days I’d be tempted to try one of these as I hear they work well (bit pricier though)
https://www.musicradar.com/reviews/guitars/hoovi-h1-deeflexx-sound-deflectors-572188
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
My favourite ever setup was a small 1x10 combo miced into the PA with almost an equal volume of that sound coming back at me via the monitors. That even worked in really small places. Even if the FOH doesn't need to bolster your amp sound there's no reason you can't throw a mic on it purely for monitoring.