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Bm7(3rd inv)
Bmaj7 and
Cm7(3rd inv)
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
It is a pleasing coincidence that for the last week or two I've been working on very much the same thing, albeit in A rather than F#.
We start in A minor
x0755x (Or you can sound the 1st string open, or fret it on 5 - any of the three is fine. For current purposes I'll just ignore it,.)
x0655x
x0555x
x0455x
(insert bass motif from the tune, on the low string, E G A, and start the next stanza)
x0555x
x0455x
x0355x
x03230 (a D minor over A, but also functions as an Aaug sus4, which is handy because it sets us up to resolve to A major)
x02220
After we have played around on the A major for a while (usually doing the old x02220 x04230 x05230 A to D thing - cue Free and half of everything else you ever heard in that era) we do the same idea in A major:
x02220 A
x02120 Amaj7
x02020 A7 and resolve to:
x04230 D add2 (1st inversion) or if you prefer x54230 (which is a plain Dadd2 and a cow of a thing to hit first grab on the fly. I'm still working on that!