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Comments
I'm a recent convert to Wegen picks, but I don't know if he offers anything that thin.
The Dunlop Flow shape isn't as big as the standard Tortex shape. The Ultex material sounds good on acoustic and comes in various thicknesses.
https://www.amazon.co.uk/dp/B000PTO7FK?psc=1&ref=ppx_yo2ov_dt_b_product_details
i typically have several different types /thicknesses on any one gig and vary them as neede
Been reading/thinking about it and it totally makes sense to use a larger pick for acoustic when I’ll likely be strumming more and need a bit more flexibility in the pick.
they do an acoustic guitar one
In the pic below you'll see:
Top row l-r (all Clifford Essex)
Triad. Bluegrass. Mandolin 100.
Bottom row l-r.
Dunlop Nylon for size reference. Dunlop Primetone Small Triangle. Wegen Bluegrass. Dunlop Ultex Flow.
The Essex picks are well made, but horn is a natural material and can be inconsistent. One of the corners on the Triad tore a bit, but I didn't send it back as I won't use it, being slightly too big for my taste.
The Mandolin 100 is a better size for me, but the corners are too round for my taste.
The Bluegrass is really good, but I prefer a slightly less rounded tip.
The Primetone Small Triangle is the perfect size for me, but I find the material gives an audible "click" when coming into contact with the strings.
The Wegen Bluegrass is my current favorite pick. Really quiet on the strings and has a nice "release" feel. And sounds good to my ears.
The Flow is too pointy for my taste and the material gives an audible "click" when coming into contact with the strings.
I'm considering having Wegen make some picks to the exact dimensions of the Primetone Small Triangle with the grip holes of the Bluegrass.
I really hate the sound and feel of floppy picks.
If a rubbery type pick was available to play acoustics, it might be worth looking into.
I have used Dunlop torte thumb picks in the past when I have had a broken thumb nail, sounds reasonable on the bass strings.
If i’m not using that pick, i’m using fingers but i can see the validity in using a thin pick for laying down a strummed part…something less ‘featured’.
I saw Bryan Sutton on TB’s channel recently and he had a small mountain of picks in the studio. I remembered him saying something about ‘playing with a lot of forearm’…that just struck me as a ‘big pick, big tone’ thing (when the part requires it)…and that there is a zillion ways to contact the strings.