Is the Sennheiser E906 the mic of choice in its price range?

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Hi all,

Want to record some bits and pieces and would rather mic up than DI but at same time can't play too loud at home. I know I know...

I used an E906 before which sounded nice and was quite sensitive so I didn't have to blast preamp gain compared to my ancient knackered sm57. 

Is there anything else I should be looking at in that range?

Thanks in advance
My Trade Feedback Thread is here

Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
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Comments

  • CirrusCirrus Frets: 8497
    Loads of choices and it's all subjective preference, really, but if I could approach this from a different angle, does your preamp sound bad with the gain turned up? In itself, the position of the gain knob alone wouldn't be a reason for me to switch microphone.
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  • soma1975soma1975 Frets: 7022
    The SM57 seemed to need a lot of level to sound good whereas the E906 sounded better at respectable volumes. So was cleaner overall. 
    My Trade Feedback Thread is here

    Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
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  • Danny1969Danny1969 Frets: 10534
    E906 is good for tracking at a quieter level and also very useful for rejecting drum spill when on smaller stages. In these situations it's a great mic. 

    For other situations, especially tracking with no risk of spill many mic's are cheaper and some arguably better 
    www.2020studios.co.uk 
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  • StratavariousStratavarious Frets: 3737
    edited May 29
    I carry both an e609 and an SM57 to mic my rig at gigs.  The e609 gets most use because I can use it without a stand or if space is cramped.  I did not need the EQ switch on the e906.
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  • StratavariousStratavarious Frets: 3737
    edited May 29
    With two mics you can also experiment with placement to get a bigger sound or mix both.

    Do you have condenser for acoustic/percussion/vocals?  I often use a condenser to record my Mesa boogie in my home studio. Versatile.  An AKG C214 with a pad maybe worth looking at.
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  • soma1975soma1975 Frets: 7022
    I have no other mics
    My Trade Feedback Thread is here

    Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
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  • soma1975soma1975 Frets: 7022
    Thanks chaps. 
    My Trade Feedback Thread is here

    Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • Winny_PoohWinny_Pooh Frets: 7888
    I have a 906 and lots of other dynamics. IMO the Audix i5 is nicer on guitars and cheaper. I keep the 906 just in case space is tight or if I may want to mic toms.
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  • soma1975soma1975 Frets: 7022
    Nice one will have a look cheers. 
    My Trade Feedback Thread is here

    Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • theatreanchortheatreanchor Frets: 1573
    Since I got an E906 for recording demos at home, I’ve not looked for anything else. 
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  • susbemolsusbemol Frets: 436
    Another E906 fan here. It's a fab mic.

    It's easy to overthink these things but in reality most decent mics should work well.
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  • ChrisCox1994ChrisCox1994 Frets: 371
    rode do some killer affordable large diaphragm condensers that work great at low volume - i use a 906 live though, great mics
    https://www.gbmusic.co.uk/

    PA Hire and Event Management
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  • mike257mike257 Frets: 374
    A 906 is a solid choice, but you also shouldn't need ridiculous amounts of preamp gain to get a useable level from an SM57, sounds like it might need some TLC!
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  • bobeffectbobeffect Frets: 60
    I mike my DRRI for gigging with a 906 and trust it to be a fair representation of my tilted back amp. I spent a while testing my Helix and an Iridium to PA. I did the familiar multiple IR and built in Line 6 cab comparison and nothing compared to the accuracy and simplicity of miking the amp with the 906.
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  • TJT1979TJT1979 Frets: 190
    I have both the 906 and the 609 Silver. Use them both in live applications for guitar cabs. No recording. 

    The 906 is great, and noticeably better than the 609 in my experience. The 609 has a weird EQ curve to it, whereas the 906 just sounded natural straight away. I had previously heard that the only difference is the EQ switch on the 906 but that's definitely not the case.

    It's also be curious to try the Audix but for my needs the 906 is great, and I have no reason to change. 
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  • stylesforfreestylesforfree Frets: 192
    So the E906 and E609 sound very similar. The E906 has a smoother sound and it has the EQ switch which is VERY useful.

    For the price on the 2nd hand market the E906 is unbeatable. But if you see an electro voice 635 pop up then just buy it because it's probably the only other £100 dynamic mic that I would use as a close microphone.
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  • octatonicoctatonic Frets: 33958
    edited June 21
    906 is a nice mic but I usually prefer the Beyer M201, often blended with a Royer 121 or an AEA R84A.
    Audix i5 is cool too but on the brighter side of things.

    SM57 is usually the last thing I go for.

    rode do some killer affordable large diaphragm condensers that work great at low volume
    They do but it is rare that I reach for a condenser other than the Josephson E22s for micing a guitar cab.
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  • soma1975soma1975 Frets: 7022
    Thanks all
    My Trade Feedback Thread is here

    Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • jaymenonjaymenon Frets: 846
    The SamSystems Integral microphone is also really good - but affords you just one fixed off-centre position.
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  • maltingsaudiomaltingsaudio Frets: 3171
    Late to the party but highly recommend Beyer TG 151 my favourite for live sound against my 906,57 and Beta57
    www.maltingsaudio.co.uk
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