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As for "when am I ready?" You'll never be ready. It works in reverse, you become ready by doing it. - pmbomb
All much more expensive but you will have more control of the sound going to the board and it won't be subject to how the mic is placed on weekly basis. You could have it set up for multiple mics etc
How big is your Church? Do you actually get to turn your amp up a bit?
ta Jon
Jon
Ebay mark7777_1
I have since had and stripped apart a Palmer PDI-003 Joe Bonamassa model and it works great with more flexibility. Testing it against the Friedman simulated DI out circuit, the whole office thought the Palmer was better.
Both those items go between the amp and speaker and cost more or less the same as a mic and is less susceptible to damage in the gig bag.
Prefer a mic. option to try as planning to use a couple of different amps. Hope this works out.
Will look at the Palmer and RedBox option too.
jon
Good advice
jon
For this reason IMHO it shines at home recording and small stage work. The 57 is also a great mic and sounds fantastic if placed right but whenever buying a mic for live use always consider the application first and what kind of pickup pattern will serve best. Then think about sound but to be honest there's very little difference on close mic'ed guitar as it's all mid range. Sure in the studio you can add in a ribbon or some other lovely mic and get an even better sound. I always used a close mic and 2 room mics in the studio when tracking guitar on it's own but live all you are concerned about is does it do a good job as a close mic.