It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
On to the next one, no one's ever gonna need an amp, can't tell the difference etc
Even if a new one comes out tomorrow, the existing one will still sound as good as it does today. Just like any other bit of kit.
There's an awful lot of firmware / spec envy in modellers. FB pages for all of them filled with "When is the next update??? I WANT IT NOW!" Nonsense.
They could just, you know, actually write a song.
I’m so bored I might as well be listening to Pink Floyd
In terms of hardware, Helix and LT are too big for me, I don’t want an expression pedal, and the HX Stomp can be too low on DSP. A Helix in the size of the HX Effects could be good.
Then for people in the second camp, I think they're more likely to see their current modeller and think "well it does everything I need it to do and sounds as good as it always has". They also merrily only use one or two amp models and cabs because that's how they'd be in the analogue world - modelling just saves a load of faff. For these folks who have or get a Helix, something massive is going to have to happen for it to feel in any way obsolete I reckon.
To declare my bias, I'm in the latter camp. I just bought a used Axe Fx II and absolutely love it. Sounds and feels amazing, does more than I could possibly need. I think I'm very comfortable being 10 years back from the leading edge, so at this rate in about 2030 I'll be eying up FM9s......
Even now that amp capturing is relatively cheap, there's a million different captures of plexi amps and they all sound different.
When you add all of that in with the human brain's crap ability to accurately remember sound (the very reason why short clip A/B works but even leaving 30 seconds between doesn't) it becomes a bit bizarre. Definitely a lot of FOMO going on.
I think people who get the most out of a modeller ignore all the accuracy crap and only use the model names as a rough indicator of tonal origin, and then just concentrate on whether a tone is pleasing to them.
I love that the original intent of the physical item - amp / cab / fx - is completely irrelevant with a modeller. I can plug a bass into a Greenback cab and then have the amp afterwards if I want. Cannot do that in real life! I can blend 4 amps together in a way I could not afford in real life (and not want to carry). I can run a fully dimed plexi into a single 8 inch 20w handling speaker and not destroy it.
As it happens, I grew up with 2 channel amps and minimal pedals. I had a wah in front, and delay and a boost in the loop and I did that for years. My main "happy space" noodling patch is just like that, but with a few more pedal blocks. But then when I'm in the mood for sound design I can do pretty much anything.
Even if Helix 2 comes out tomorrow I won't buy it until my current one dies because it sounds good to me.
FWIW I still love a good valve amp. I don't think they are necessarily better or worse, just different.
I’m so bored I might as well be listening to Pink Floyd
My major gripe is that quite often the models all have certain similarities that are impossible to tweak out. For example all the delays have a very particular delay curve that makes it hard to accurately dial a precise number of repeats.
Similarly all the high gain models have this tendency to get kinda "papery" if you push them too much.