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Now.. to me there is both great melody in the main theme and completely non-random scales being used in the fast solos. I hear a wonderful interplay of different modes drawn from a broad range of musical influences. It all works together coherently and beautifully. Of course one man's wine is another man's vinegar, but your suggestion that is Krantz just playing random notes is nonsensical.
I believe your arguments may be similar to a that of a classical musician who when exposed to bebop for the first time believes that just random notes are being played because having no exposure to jazz, the musician has no frame of reference outside of their own traditional learning.