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It doesn't necessarily make a super unjangly sound jangle, but if you can try a spring type setting, give it a go and it might surprise you. The bright, splashy sound can liven up the tone a bit.
There's the (expensive) Janglebox compressor which has at least got the right name... I once read you could get close to a Janglebox by modding a Dynacomp - this might be a cheaper option?
genuinely lolling here!
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
It's the doctor J compressor, conveniently on sale at Coda as we speak for 20 odd notes.
It does light compression.
It does heavy compression.
It does zing.
It does jangle.
It rounds out and beefs up your tone.
In short it can do all sorts but best of all it has a mix control so you can blend the clean and effected signals so you retain what you like in your basic tone.
ahh, I'd seen them but wondered a) are they a bit big ( I seem unable to tell from looking at pictures of pedals in isolation what size they are and ii) can something that cheap be any good?
YouTube clips seem next to useless for compression pedals IMHO, here's one clean tone followed by a fractionally different clean tone followed by another fractionally different clean tone ( usually demonstrated with a generic funk riff - although that's what I'd do I can listen to myself anytime).
oddly enough part of what I'm trying to do is sound like Neol Davies, the original guitarist in The Selecter who was a strat plus AC30 guy. The production on some of those records was awful but I've heard enough live versions over the years and he always sounds good.
Apart from not having an AC30 my problem is not wanting to be Mr Jangley all the time so how do I turn it on for the odd song.
It has paralell compression, plus it has a three way 'voice' toggle', and there is a setting for a 'jangly' style tone.
It's definately not transparent, even with the mix dialled to predominantley to the unaffected signal i could still hear it compressing. Plus Suhr's build quality is top banana.
But I really do like the sound when other people play them, so I may possibly try one of the others mentioned here which I haven't yet.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
The Janglebox Compressors are meant to be very good but like the Calis, they're dead expensive.
The Rick has the most upper-mid and slight natural compression, hence the most jangle. The Tele would be next, but it's more bell-like and ringing than actually jangly, and it's not compressed - it has a very direct, linear attack and sustain. The Jag is the least jangly - it's not at all compressed, it's bright, dynamic and percussive, almost an 'expanded' sound with a sharp attack and decay and lower-volume natural sustain.
I liked all three but I found the Jag's dynamics too limiting when I went to being the sole guitarist in the band. Too much the opposite of a compressor .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein