If I were a rich man I could spend a fortune at Stewmac, I genuinely could. However being as I am firmly in the 99%, 124.95 US bucks (plus postage and VAT and duty and admin and whatever other nonsense) for a fretwire bender is a bit rich, so I made this out of £10 worth of stuff I bought on the internet. I'm pleased with the results - the neck is from my roundly-abused late 80's Japanese '68 reissue and the frets seated a treat having been knocked into shape. The fretboard's a vintage (7.25") radius and the first few I tried without bending the wire just popped straight back out again so it's worth a go just for your own sanity.
Obviously they need filing and dressing, but I've been obsessively watching them for the last hour and all 21 of them are exactly where I left them so job done I guess! Happy days.
On the incredibly mega-slim chance anyone wants to know how it was made just shout.
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Well done and if you'd like to share your ingenuity I'd be interested to see how you made it.
I bought a cheap copy of the stew -mac one about 12 years ago. It works okay but is fiddly to adjust.
Just seeing this thread is making me think about re-working it a bit
Although I used to be very good at radiusing fretwire with little more than a saw slot in the edge of the workbench.
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Likewise I can't justify paying StewMac for a decent bender at present.
I bought oneyfrom Ebay in Greece, a sheet of perspex with 3 rollers, handle, feet etc, but it's bloody awful and only corrugates the wire as the main roller's hole is too large for the bolt going through it.
If you ever feel like making another I'll certainly buy one from you, I have my own handle
http://www.thefretboard.co.uk/discussion/61134/sarge/p1
As for the neck - my good fortune was somewhat short lived as it turns out. The nitro lacquer on the neck is pretty knackered and I was pleased beyond all hope that it stayed intact when I pulled the frets out.
However what it didn't survive was the masking tape I put on the fretboard to protect it whilst I filed the ends flush. Despite the low-tack tape, I was left with one very sorry-looking fretboard after I pulled it off.
Ah well, I suppose this is why God invented Rothko and Frost. I now have some clear nitro and some amber tint on the way to refinish it. I'm more fed up because the neck was beautifully patina'd before, and now it's going to have new finish. I'll have to start the 25-year relicing (playing hell out of it) process all over again
http://www.thefretboard.co.uk/discussion/61134/sarge/p1
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http://www.thefretboard.co.uk/discussion/61134/sarge/p1
http://www.thefretboard.co.uk/discussion/61134/sarge/p1