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There is a feature in the summer edition of Guitar Connoisseur magazine.
And.....for some reason, they allow you to read the whole magazine online. For Free.
It starts on page 100.
http://guitarconnoisseurmagazine.com/wordpress1/view-our-current-issue/
Finding a guitar that blows your mind should be a goal in my opinion.
Many guitars have a re-sale value. Some you'll never want to sell.
Stockist of: Earvana & Graphtech nuts, Faber Tonepros & Gotoh hardware, Fatcat bridges. Highwood Saddles.
Pickups from BKP, Oil City & Monty's pickups.
Expert guitar repairs and upgrades - fretwork our speciality! www.felineguitars.com. Facebook too!
The only time you should factor in resale convos are to satisfy nearest & dearest or family members with concerns.
Guitars are not really investment worthy items - unless someone offers you a genuine vintage one for next to nothing.
Wonder if I'm the only one on here who wishes there were more conversations on here about passions and desires for guitars and less about resale values?
Many guitars have a re-sale value. Some you'll never want to sell.
Stockist of: Earvana & Graphtech nuts, Faber Tonepros & Gotoh hardware, Fatcat bridges. Highwood Saddles.
Pickups from BKP, Oil City & Monty's pickups.
Expert guitar repairs and upgrades - fretwork our speciality! www.felineguitars.com. Facebook too!
There's a misconception that the grass is always greener...
I think some people don't take the time to bond with whatever gear they've got.
The Echopark is seriously tasty though. IMO, for 'boutique' type guitars when some guitars get associated with 'celebrity' players their prices can go up significantly. I have a nylon string and in the 12 months I bought it, a huge number of 'celebrity' players took to playing them and the guy who made the guitar put his guitars prices up and my guitar is now worth a lot more than what I paid for it. Not that I have any inclination to sell it, agreeing with Feline above that particular guitar resolved me of any GAS for nylon strings anyway.
I think there's a golden age for boutique type 'alternative' guitar makers and even if the Echopark is out of reach, I think there are other makers who might not provide all the quality/aesthetics of the Echopark but maybe most of it for a lot less.
When it comes to how much I would spend and the maximum amount I would spend it is down to value really, which is down to the situation and particular example of guitar for my needs.
In most hobbies there is often a search for that elusive grail but I believe in reality a lot of the constant swapping and changing is to spice up something that has maybe got a bit dull of late?
Something to restore the passion?
People whose collections are often in a state of flux could probably be more passionate than somebody who just sticks to the same old stuff.
Many guitars have a re-sale value. Some you'll never want to sell.
Stockist of: Earvana & Graphtech nuts, Faber Tonepros & Gotoh hardware, Fatcat bridges. Highwood Saddles.
Pickups from BKP, Oil City & Monty's pickups.
Expert guitar repairs and upgrades - fretwork our speciality! www.felineguitars.com. Facebook too!
Mind you, my last two guitars, Peavey Rockingham and Squier JM Jazz Bass, were both new. I did not consider resale value or attempt to buy used at the time.
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/
The CS Strat I've just bought was £1000 cheaper than a new one. In the highly unlikely event that I wanted to sell it, I'd fully expect to get my money back.
I part-ex'd an AVRI - which I bought new - I got barely half what I paid for it.
I don't see selling guitars as such a negative thing. Sometimes you may just want a different sound for a while, or get something to itch a scratch that you've never had before. But most people don't have enough space or funds to keep everything they have tried along the way. Also, certain bands / projects require certain guitars. Projects, by their definition are finite so it stands to reason resale value would be a consideration. Guitars are tools and sometimes you need a different tool for the job.
The Echopark was simply the best guitar I'd ever played. It wasn't about the possible resale. Sometimes an instrument just fits and the boundary between player and the instrument disappears, the music just happens. To me that's worth more than a new motorised metal box.
Oddly with the one exception of my LP Studio, which was a stop gap, after I had to replace an acoustic to honour a few gigs, so sold my first PRS and bought the Studio and an acoustic.
Ended up keeping the Studio longer than any other guitar I've had, 12 years.