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Heritage to boot. Nice one! Pics when it arrives my good man!
I don't "play out" so the feedback isn't an issue. It's actually quite nice to be able to get some at lower volumes for recording!
The short necks are occasionally frustrating. Not for my own stuff but if I were in a covers band I might find it limiting - although it's not too different to a Les Paul and plenty of people are OK with those.
The frustration for me is that they seem wildly different tonally. I'm probably generalising from too small a sample size as I've not had the chance to play too many but some seem very dark to me. The better ones are a lot clearer in the low mids and sound "plummy" rather than "muddy" to my old ears.
Some semi-hollows are both heavy and neck-heavy to the extent that if you're slightly built then playing an entire gig with one standing up can be a massive chore.
Perfect neck, sounds great unplugged, lightweight but most importantly to me, everytime I walk past it I'm inspired to pick it up and play it!
Much more versatile than just a jazz guitar. Check out the Land of Lions abum by the Filaments (my brothers band) to hear one doing hardcore punk through a Marshall JCM2000!
Wow - where did you find one of those?!
From what I hear though, the days of Heritage are numbered - the guys who originally bought the site and the tooling from Gibson in '88 are now of retirement age and I've head that the company and Kalamazoo factory has been sold to a property developer.
I wouldn't be surprised if the Heritage name continues, but with a new factory and without the ..er ..Heritage
https://reverb.com/item/3418442-gibson-es-330-td-1961-ebony-refinish