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“Theory is something that is written down after the music has been made so we can explain it to others”– Levi Clay
Worked for the last 30 years or so. It's not a case of my way or the highway, but there have been times where two members have argued over song choice, I have the casting final vote. Also with that comes the responsibilities of running a band. I do the hiring and firing, if problem with venue or landlord etc I deal with it. As for song choice, what we tend to do is all have access to a spotify list and we add and detract from it till most are happy, then I make final decisions. Pointless being in a band if you do not like what you are playing, been there done that. Not enough money to be miserable doing stuff like sex on fire or whatever latest song audience wants. We don't gig very week but when we do it's bloody enjoyable as there is no ego's in the band. (Apart from mine)
The one thing the band should be agreed on is what you're trying to do.
For example, in the main band I play in, (it's a covers band), the main criterion for a song is: "will it get drunk girls to dance?"
If the answer is "yes" then it does not matter at all what the song is. We try it out and see. If it gets drunk girls to dance then it is not shite, it's f*cking great because it's paying our wages.
There are places we play where there are rock snobs, and they've probably got about 4 albums between them. The criterion for those places is, "Will it get those blokes to drink lots of beer regardless of the lack of drunk dancing girls to look at?" Again, if the answer is yes then the song is not shite, even if it's "All Right Now"
Basically, a covers band is about the audience, not the band. You can still have fun even if you don't actually listen recreationally to any of the material you play. Cos you get your satisfaction from doing the job well.
Lovely example of this was last night, playing a social club and they were taking their time warming up. Our drummer stops about three songs into the second set, comes to the front of the stage and grabs the mic and starts haranguing them but he's a very funny, witty, hairy-arsed bearded long-haired tattooed drummist from the hard rock circuit and I don't even know what he said but at the start of the next number they were all up and having a laugh and they stayed that way all night. Job done.
It's funny but occasionally I dep in other bands, and it's great. All I do is turn up on bass or Guitar, set my own gear up, get a pint then play. End of the night I get paid and walk away, exactly what some of my band mates do.
:bz
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Yeeeeaaaaahhh. I remember refusing to play Wonderwall, but the crowd were not taking no for an answer, so we ended up playing Wonderwall.
When I was doing the ska band we did a gig with a bunch of women who danced to everything for 90 minutes. At the end I had a chat and asked if they had always been big ska fans. They said they hadn't recognised a single song but everything we did could be danced to and they really liked that we were giving it some welly. They may have been a bit drunk as well. A boring band is a boring band and an exciting band is an exciting band. Performance trumps song choice.
It is very, very difficult being in a covers band and taking on the job of educating your audience: they don't want it, and soon you don't have an audience or a landlord who will book you.
You have to give them what they want, and to be fair, they don't want very much. They always say they want something different but they don't -- the dance floor proves it.
I'm enjoying reading this...
I should add in some further info about us ...
We have not gigged (I've already said this) yet our aim is to be a party / function / wedding band so we said at the outset what our 'style' will be so we are marketing ourelves quite spcifically rather than as a general purpose covers band.
But a lot of the same considerations apply:
Audience is king; they dictate what you play.
The point about getting the girls up and dancing -- which is as much about working a room as playing
And with weddings/ functions/ there are extra non-musical issues which are essential.
Btw, I think what kone and others said about band leadership is important. My current band is the only one I've ever had where it's a democracy. And that took time to get the latest member on board with the necessary mind set.
It's not the songs, it's how you put them across.
Much dance music doesn't consist of much more than a beat. Get on the one and have fun!
Big +1