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At home there is no rhyme or reason to what I play. I like having them on a stand and just use what naturally comes to hand.
If I'm practising for a particular thing I'll use what seems the most appropriate at the time -
Martin for singer-songwriter accompaniment and finger-picking folk stuff.
Gretsch New Yorker for playing alongside percussive guitar and other things I might want more cut for lead work.
Jazzmaster for playing late at night or anything requiring an electric.
I do have a Gretsch Tenessean that should be with me in a week or so (finally!) so we'll see where that fits in soon!