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I said maybe.....
It's really not that difficult once you put in some time, though the guitar specifically is a tricky instrument to read for.
If you have any intentions of playing in pit orchestras, cruise ships, depping in function bands, session work etc etc then you'd be best off developing a decent level of reading.
You won't always need it, but it's good to have.
In my experience, many arrangers are quite bad at writing parts for guitar so a big part of the skill in reading guitar music is working out what is the most 'guitaristic' way of playing what it is they've scored.
You often get given parts that are copy/pasted from keyboards so you get close voiced chords, or just impossibly voiced chords etc so you have to work out a way round it.
Interesting, thanks all. I'm a home player, so for me it's really about being able to read some of the stuff I'm interested in learning which is only available in notation.
And I know I should just transcribe it from the audio but whilst I can transcribe single lines, I'm a million miles from being able to transcribe chords.
Rather than treating tab as dot-to-dot instructions, I've always instinctively translated it into note names in my head whilst playing anyway so reading the notes off the stave hopefully shouldn't be too much of a stretch, at least for simpler pieces.
I can't help about the shape I'm in, I can't sing I ain't pretty and my legs are thin
But don't ask me what I think of you, I might not give the answer that you want me to
That's interesting @ewal. Why do you think that is?
It goes further than that though, my brain does not link notes on a sheet of music with the fretboard, whereas I subconsciously relate notes to trombone positions, pitches, dynamics etc.
Is it important? Obviously you don't need to read to be a good player, as many great players who don't read prove. But as someone who taught himself to read after many years of being a non-reader all I can say is that I regard it as the most useful thing I've ever done in becoming a better player and I very much regret that I didn't do it earlier.
In fact, one of my favourite approaches to writing is to record a riff and then come back to it months later (when I've forgotten how to play it). In attempting to re-learn it by ear, I'll often find more interesting things to do with it. Written down, it's unlikely I'd do that.
That's not to say that others wouldn't find it useful; it just doesn't work for me.
Was speaking with a guy who teaches guitar a few months back (and is also a pro/semi-pro), and he mentioned it can take 5 years to learn properly.
So it depends how much time you have and what you intend doing with that new-found ability.
If you're of the older generation, I'd say don't bother. Just concentrate on playing the guitar. If you are young, in teens/twenties, then it might be worth it.
If you want to go pro or semi-pro, go down the session route, playing deps or shows then I suggest the ability to read music (and tabs) is essential, but you have to be able to play as well. Great theory and no chops = no work as a session muso. Great chops but no theory and you'll get found out very quickly. There's also the issue of having 'the ear'. If, like Clapton, you can play something after just hearing it once, then that's a real real bonus. That'll get you a very long way.
You need to put a lot of work into both playing and theory (reading music). If you have a demanding girlfriend, or a job with long hours, or are a wanna-be olympic sportsman, then you be prepared to make a lot of compromises. I mean, a lot.