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Comments
computers are now portable, I’m sure some people don’t know about that.
you aren’t stage ready, you spend time learning songs and preparing to play the songs. Investing a few minutes programming settings is no different to sorting out the knobs on your pedals
It's for setting it up at home. You knew that though, You're just being disagreeable.
My Trading Feedback | You Bring The Band
Just because you're paranoid, don't mean they're not after youI’ve got one (100 Watt 2x12), I use it as a home practice amp, for rehearsals, and for gigs where there’s either bugger-all space for a big amp and pedalboard or we need to be in/out fast. For me it serves those purposes perfectly adequately without any need for global EQ tweaks.
It’s not £2.5K-or-so worth of boutique amp and pedals for £250, it’s just useful, usable, bloody good value for money, and a very handy accessible package.
Having been in a crowd with a Katana 100 miccd up, it sounded great.
They sounded great when they came out and they sound great now. For £250 its a bargain.
Anyone who worries its a threat to their 2K <insert expensive valve amp/modeller name> needn't worry.
But as a flexible, reliable and useable package they are very good.
don't lie and say yes because isn't true.
sometimes things sound great, sometimes was better to leave it off.
From venue to venue, week after week, my valve amps vary from perfectly ok to fantastic. The Katana varied from perfectly ok to hideous.
I'm not disagreeing with anyone else's Katana experience, as I wrote at tedious length in my own thread about it, I loved the sound of the Katana, and think they've really raised the bar in terms of the natural feel of budget modellers, I just couldn't get it to work consistently with my particular style of playing.
As I said, I've missed mine since I sold it, it's a good-sounding, versatile tool, I just don't think they're 100% there yet in terms of the playing dynamics and response to guitar controls I need from an amp in a live situation.