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Other way round for me.
I had an Epi LP Custom, and it got to the point that it was played 3 times in 3 years, so I PX'd against a Charvel, which gets played a lot.
Also I tried my old teachers PRS (all £3000 worth) and couldn't wait to get back to my £400 Strat......It was lovely to look at, but it didn't feel right to me.
Ringleader of the Cambridge cartel, pedal champ and king of the dirt boxes (down to 21)
always been into les pauls and humbucker guitars, thinking strats were old mens guitars,but couple of yrs ago picked up an old Japanese squire strat, only started playing it about a year ago and realise what an amazing design in ergonomics, and sound these things are,, however still gig mostly les paul, and a flying v type thing (more for image than anything else)
Never liked them but the staff in a shop were noodling on one when I was in there. I had a go, and it was probably the best guitar I'd ever played. Ended up buying it.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
- people old enough to be my dad, who were into jazzy stuff that didn't include overdriven Marshall stacks
- 1960's pop groups with short hair, polo neck sweaters, cheesy grins, and twangy stuff with no sustain
Then I met someone who had a 1968 ES-335. Then I became aware of players like Larry Carlton.Now I have an ES-335 and an SA2200
Seriously: If you value it, take/fetch it yourself
It seems my youthful Strat-Aversion is not unusual!
Always been a HB guy. Had a Japanese 335 copy as my first ever guitar(cant even remember the name - i was 15 and a rock dude - never should have sold it), SG, LP. Didnt like Strats. I didnt mind Strat players(although i always thought theyd sound better with a LP!) but id tried a couple and didnt like the string tension or the way they felt. And then as time went on i started liking single coil sounds more and i play with hardly any effects and only just breaking up levels of gain so the Strat's sonic palette started seeming more attractive. Bought one a few months ago and although the pickups werent great and ive recently swapped them out it really is lovely and as people have said its a masterpiece of design and ergonomics.
If i absolutely had to choose one guitar it would be a LP and if i had to play a rough n tumble gig it would be an SG but deep down i know that my Strat might be my best guitar? Does that make sense?
Also, Teles. A lot of my favourite players are Tele-Guys. Robbie Robertson, Keef, Steve Cropper. I should love them but ive tried a few and whether or not they were just poorly set up or bad guitars ive absolutely hated them. Ive just put a SD Twang Banger in a Strat to make it sound more Tele ish so it sure isnt the sound i dislike. Weird. Ive clearly just not found 'the One' yet.
It is my 40th birthday next year....
Telecaster. Used to despise then thinking silly emo and indie kids only played them. Then I tried one out through a cornford carrera and it was one of the best tones I've ever heard
Ibanez RG. I had the assumption that they were pointy guitars only made for widdly metal players and would inevitably sound like a fizzy, crappy YouTube video - therefore I hated them. But over someone’s house I picked one up and literally did not want to put it down, offered him cash and went home with it. Love the Wizard neck, love the comfortable feel, and love the versatility. Got three of them.
Fender Jazzmaster. Well, it’s got the word “jazz” in it so I closed my mind, because I am not a jazz cat. These guitars weren’t even on my radar until last year. I'd literally never noticed them. I don’t like Strats, (had three, so I've made the effort), to the extent that I figured anything by Fender was probably a bit rubbish — but on a total whim I went and bought a Jazzmaster and even though it’s the opposite of an RG I still really like it — not for its playability, because it’s a bit of an effort as it happens, but because for some reason I feel totally comfortable and psychologically confident playing it on stage.