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And The Four Horsemen: A great, great rocker.
Demis Roussos. Great singer. I shall done my kaftan and smoke a big fat stogie in honour of the this record.
All that and some knockout tunes.
Great album.
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snare sound, too.
Judas Priest - Turbo. 80’s pop/metal perfection, and Turbo Lover is just the right tempo for the cross trainer in the gym.
Loved the Beatles and was thrilled to hear live recordings and preferred this to the Star club hamburg etc.
The Beatles Museum would have footage of the Beatles playing daily with clips from Shea Stadium etc and for me it was Magical. .. Night Owl is a Great album and i would recommend it. Autoamerican was not rated as highly as Parallel lines or Eat to the Beat but i think its a good album. I loved the Specials and the first Album was amazing. More Specials just took a few more listens. was devestated by The Fun boy 3 lol.
When i first read about Dylans Christian Phase I though nah cant be doing with that. But Having heard Slow Train Coming AND I also think Shot Of Love is a great Album.
Masters Of Reality - s/t
Raging Slab - Dynamite Monster Boogie Concert
New Kingdom - Paradise Don't Come Cheap
Kinghorse - s/t
Ashbury - Endless Skies (although anyone who knows anything knows this is one the all time greats)
I really should've thought of the Masters of Reality Blue Garden album, it's probably in my all-time top 10. I like their other stuff too, but it was never quite as good.
Raging Slab yes, but I preferred the self-titled first (major label) album.
Ashbury - I have definitely listened to that album but embarrassingly I can't remember what it was like....
For me the whole album is amazing, they've made tracks as good as the best here since, but it's untouchable as an LP. Better than Appetite, Dr Feelgood, etc.
My head said brake, but my heart cried never.
Given some of the bollox I've seen written in this thread and the other classic albums one (imho). I think it fits well in overlooked LPs, there certainly isn't that much love on here for them, or so it's seemed over the years.
My head said brake, but my heart cried never.
I see your point, it's become overlooked. But that's their fault for making a shockingly bad second album and Justin turning into the type of fucked up "rock star" he originally seemed to be mocking.
I do love Permission to Land, by the way, it's a great album. But I haven't listened to it for years because I got so hacked off with what they did subsequently.
My head said brake, but my heart cried never.
It's a close run thing with Solid Air, however.
Put it this way: if you said Solid Air was the extent to which he pushed to the fullest his explorations in traditional songwriting and explorations of acoustic musical forms, then Grace and Danger is the best example of how far and hard he would push his vocal ability, and his gift for wringing as much powerful sorrow as he could out of music.
Put the two together and you have an extraordinarily powerful musician.
- some of Robert Fripp's best playing with Toyah's dramatic singing...
Adrian Belew - Desire Caught by the Tail
Joe Diorio/Robben Ford - Minor Elegance
- fantastic, inspired playing by both Ford and Diorio, incredible fretless bass by Gary Willis, and some of the best drumming Peter Erskine ever did...
Leo Kottke - Burnt Lips
Tori Amos - Scarlett's Hidden Treasures
- this was an extra CD with the Welcome to Sunny Florida DVD - great, unfiltered, emotional playing...