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"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
OP asked if there was a decent guide around for the different types of old 12AX7 / ECC83 valves. From own experience, this guide is very accurate and believe it or onto on eBay! Gives some internal structure detail which is very helpful in finding those non Mullard / Amperex etc. labelled gems at a decent price.
http://www.ebay.com/gds/The-Tubekings-Guide-to-NOS-and-Vintage-Audio-Tubes-/10000000017053944/g.html
Having first purchased a few Mullard's when the prices weren't so stupid, then an old valve tester and since then amassed a ridiculously large collection of NOS valves. I buy predominantly used / untested which are a lot cheaper and find the fail rate, particularly on preamp valves is minimal, remarkable considering some have been 60 years old! However, I feel safe doing this, as with the tester I can at least test if the valve is electrically OK before putting it in an amplifier. Particularly important with power valves.
Agree with @ICBM appraisal of the difference they can make. More clarity, more harmonics and smoother top end is how I perceive them. But the different makes do have add slightly different colours e.g. Brimar are similar to Mullard, but a little darker. Hungarian Tungsram work really well in Silver Face fenders reducing the "fizz" really well. RFT's have more grit and work really well in cleaner amps if you want more overdrive without fizz. I find most USA made 12AX7's a little too bright and "clean", the old black plate versions from the 50's are richer (and more "British") sounding but stupidly expensive, much cheaper on this side of the pond to go for Mullard or Brimar.
I tend to do the whole preamp, not just V1. Quite often V1 alone makes little difference, but add V2 etc. and you will really notice it. Only exception is say a tremolo valve which would be a waste. I think the PI valve choice is really important as well and in my experience can make a big difference in the overall tone of the amp particularly at volume. I don't do the super balanced thing i.e. both sides of the 12AX7 are within a nano-amp of output of each other. I've tried well balanced through to fairly imbalanced valves in that position and can't hear much difference to be honest, though I'd suggest in most of the "vintage" circuits I've tried, the slightly imbalanced valve gave more harmonics at volume.
I've got mainly vintage amps and most don't seem to sound their best to me without the valves they were designed to use. I'd go further and add circuit faithful reissues to that as well. I've got a Fender Tweed Twin reissue that sounds so much better with old valves in it than it did with its Groove Tube Russians in. However, I completely agree with @Heartfeltdawn and some amps, particularly modern designed circuits, don't seem to benefit as much, or at all from NOS valves, other than perhaps longevity.
Do the older, better valves make much difference in amps like a diezel, Laney vh100, 5153/6505 etc? Basically, does high gain ruin the effect or enhance it?
I've only ever heard modern valves... And a set of cryo (yeah, I was young and Watford saw me coming...).
Yes I do!
I would have thought the ECC82 would be a better bet to pair up? B's already use them as a low Z driver in the S1's and the AT7 is really a short grid base RF triode and sort of 1/2 way in specc' between the 82 and 83. I also found them to be miccy and so if we are to be shot of one of the three?
But I think the company has secured plenty of stock. There are at least two different sources. I was also thinking very long term? In ten years or so it will surely be time to upgrade the Five and so a 3 valve jobbie might emerge?
Still! ALL speculations at the moment!
Dave.
I hope so. Designing in a limited lifespan (even if it's 10+ years) by using a more obscure component seems short-sighted to me, but I know cost is king and if 12BH7s are less expensive than 2xECC82+extra socket, I can see why they did it.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
It seemed to lack bass extension and sounded lacking in 'colour' - for want of a less pretentious sounding term....
When I replaced the pre-amp valves, the same thing happened again, making a once fantastic sounding amp flat and lifeless.
I don't doubt that the circuit was optimised around the characteristics of the original valves - but it could never get it to sound as good again.
Needless to say, I don't own it anymore....
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Like many things in life, if I'd known then what I know now....
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein