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Dmaj7 Fmaj7 Em7 A7
Dmaj7 Fmaj7 Em7 A#7
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Comments
I think an A9 sounds smoother than a straight A7.
Then, later on, I think the A#7 mighty be a A#13. In other words, an A#7 that includes the 9 and the 13.
But I could be wrong.
It sounds like X12333, which would mean with A# as the root, it has a b5 and a 13, so A#13b5?????
Try the chord yourself see what you think. The Guitarist might just be playing XX2333 and letting the Bassist put the root note in.
I think you might be right about the b5. The 13th inversion I tried excluded the 5th so I didn't hear that.
However, in your inversion, I'm now wondering whether the Bb on the 3rd fret 3rd string might be an A on the 2nd fret 3rd string.
So that would make it x12233, which would be a Bbmaj 13b5
I like the song though, got a decent groove.
You might well be right.
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Telecaster American Deluxe, Cornell Romany amp, without the talent to use them properly
Fmaj7 x87555
Em x75757
A7 575655
C9 878x88
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Telecaster American Deluxe, Cornell Romany amp, without the talent to use them properly
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Telecaster American Deluxe, Cornell Romany amp, without the talent to use them properly
You just need to add a Bb bass note to turn it into Abmaj7/Bb, which would be one tone below the C at the extreme left of your keyboard diagram.
x 7 8 7 8 x with a Bb in the bass. Which is what @Bellycaster said, but played higher up the neck.
Another two that sound good, when playing the sequence in isolation, are:
6 x 7 7 8 x Bbmaj13
or
6 x 6 7 8 x Bb13
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Telecaster American Deluxe, Cornell Romany amp, without the talent to use them properly
________________________________________________
Telecaster American Deluxe, Cornell Romany amp, without the talent to use them properly
I'm convinced it's F9 played in position 8 using x8788x giving the notes (low to high) F A Eb G. So root / major third / flat 7th / 9th.