Quad Cortex - has anybody cloned/replaced their pedalboard with it?

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sjo89sjo89 Frets: 183
Not gonna lie, I'm gassing for a Quad Cortex right now.

Done a couple of festival gigs in quick succession that made me long for a rig that can get on and off the stage faster.

Reason quad cortex appeals to me is that it can capture pedals. So I can literally have my pedal sounds in digital form and have options of going either direct to FOH with amp sims or just going direct into a clean house amp. I've got an HX Stomp and the drive pedals into a real amp at volume don't convince me TBH. I also find a lot of the drive pedal selection isn't what I'm after or have on my board.

Have any quad cortex owners done the above? How have you found the unit? thanks 

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  • onyironyir Frets: 57
    There was a video by the Studio Rats where he did something similar, cloning all of his drive pedals
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  • @sjo89 it can't do a convincing job of Fuzz, or pedals that have clean signal blended (like Tubescreamer and so on)...

    It also can't have more than one pedal assigned to a footswitch in stomp mode, so there are some fairly significant limitations at the moment.

    What is actually on your board out of interest?
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  • sjo89sjo89 Frets: 183
    JohnCordy said:
    @sjo89 it can't do a convincing job of Fuzz, or pedals that have clean signal blended (like Tubescreamer and so on)...

    It also can't have more than one pedal assigned to a footswitch in stomp mode, so there are some fairly significant limitations at the moment.

    What is actually on your board out of interest?
    ive a strymon riverside, nano big muff, mxr super badass variac fuzz, a timmy clone and a bogner ecstasy red mini. 
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  • So the two fuzzes it'd struggle with, and the Timmy also....
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  • sjo89sjo89 Frets: 183
    JohnCordy said:
    So the two fuzzes it'd struggle with, and the Timmy also....
    bummer - what about the inbuilt drives and fuzzes? any good
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  • @sjo89 there's only one fuzz atm, it's the big muff (which should work for you?).

    Otherwise the selection of drives is ok! No Timmy though
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  • onyironyir Frets: 57
    There's a Fuzz Face now, too. It's got an interesting approach to the whole clean up issue
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  • sjo89sjo89 Frets: 183
    onyir said:
    There's a Fuzz Face now, too. It's got an interesting approach to the whole clean up issue
    theres only 2 fuzzes? man Neural need to get off their backsides and up the number of pedals on this thing as they're way behind the competition. 
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  • Seems like a fundamental limitation of a pedal cloning concept, if it struggles with drives and fuzzes.
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  • @maharg101 yeh it can't do anything with a time component, which a fuzz does..
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  • I'm not familiar with the product at all, so forgive my ignorance - does that mean it can't do _any_ time-based effects then ? no modulation or delay ?

    Also - fuzz - I didn't realise it had a time component - perhaps I've not understood the term correctly. Could you expand on that ?
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  • Having read the user guide for it, I now realise the "pedal capture" is actually for sampling overdrive / amp / microphone /speaker dynamics. I get it.

    Still confused by the idea that fuzz has a time component. 
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  • sweepysweepy Frets: 4264
    I know everyone’s ears vary but those captured pedals sound radically different to the real thing, neither better nor worse, just different. I’ve been guilty of buying into the  bleeding edge many times and I really do hope the Cortex matures properly but I’d still not get one for awhile yet
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  • @maharg101 so Fuzz pedals often have a sort of envelope and that's definitely a part of the sound.

    Basically I think the capture technology does not sample a long enough period of time to get that sag/whatever that a fuzz pedal has. Presumably this would make the processing time exponentially longer.

    There's a comment from Doug somewhere online about the specifics of why the quad can't really accurately replicate fuzz with the captures...
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  • JohnCordy said:
    @maharg101 so Fuzz pedals often have a sort of envelope and that's definitely a part of the sound.

    Basically I think the capture technology does not sample a long enough period of time to get that sag/whatever that a fuzz pedal has. Presumably this would make the processing time exponentially longer.

    There's a comment from Doug somewhere online about the specifics of why the quad can't really accurately replicate fuzz with the captures...
    Interesting, thanks. Seems to me that pretty much all overdrive / distortion has the same kind of thing going on to some extent at least, but it's more dynamic and pronounced with fuzz, and hence more noticeable I guess.

    For your next challenge, please capture a Zvex Machine ;)
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  • here's trying to capture a Cornish NG2
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  • onyironyir Frets: 57
    I have captured a few of my pedals (including a Ramblefx Twin bender) and has gotten pretty good results. The twin bender doesn't feel like the original, depending on how spitty you set it, but the drives are pretty much spot on. I think what most people don't realize is that you're comparing the capture with the pedal in a loop (after a buffer), and a lot of pedals do sound different after a buffer. 
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  • maharg101maharg101 Frets: 780
    edited November 2021
    Ah yeah, buffer before most fuzzes is not good.... Twin Bender is a great pedal ! I can never settle on Mk1.5 or MkII mode for any length of time though !!!
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  • sjo89 said:
    JohnCordy said:
    @sjo89 it can't do a convincing job of Fuzz, or pedals that have clean signal blended (like Tubescreamer and so on)...

    It also can't have more than one pedal assigned to a footswitch in stomp mode, so there are some fairly significant limitations at the moment.

    What is actually on your board out of interest?
    ive a strymon riverside, nano big muff, mxr super badass variac fuzz, a timmy clone and a bogner ecstasy red mini. 
    Why so much drive?
    Seems a really, non-complicated board, I don't get why you would digitise that unless you have a monsterously heavy amp
    The Bigsby was the first successful design of what is now called a whammy bar or tremolo arm, although vibrato is the technically correct term for the musical effect it produces. In standard usage, tremolo is a rapid fluctuation of the volume of a note, while vibrato is a fluctuation in pitch. The origin of this nonstandard usage of the term by electric guitarists is attributed to Leo Fender, who also used the term “vibrato” to refer to what is really a tremolo effect.
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