It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
To get enough clearance between the "value" knob on the FM9 and the top of the case I mounted the FM9 further back on the Temple, removed the rubber side panels on the FM9, and used a 10mm piece of foam on the bottom of the case with the thick foam cut snugly around the board. Holds it all in place nicely
Ebay mark7777_1
Thread 'FM9 Firmware Version 4.00'
https://forum.fractalaudio.com/threads/fm9-firmware-version-4-00.189514/
Ebay mark7777_1
1. Don’t expect your first rig build to be the best. You will change it and tweak it. And it will improve a lot in the first few iterations.
11. It works great in a band mix. It doesn’t get lost. It plays well alongside regular guitar amps if another guitarist isn’t going direct. I’d say that I sound much more defined and present in my bands mixes nowadays.
Guitar into input 1.
That chain terminates at output 3 on the edit grid.
Switch 1: changes “channel” 1 of my amp. From clean to crunch. So channel one can either be clean or crunch.
Amp boost assigned to a control switch is probably my most used method for changing tone, along with the volume knob on the guitar, which is a new revelation having spent decades with it always at 10
Ebay mark7777_1
So for example I have one attached to a filter block in every preset that adds a 2.5db boost across all scenes unless I turn it on/off. That's enough for my Tele to be the same volume as my Les Paul if I switch guitars, or just to give me a little volume boost if I feel I'm being overpowered by the rest of the band
These should get you going:
Ebay mark7777_1
So the patch was literally input 1, drive block, output 3 to amp.