Rubber bridges

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WezVWezV Frets: 17500
edited July 2023 in Making & Modding
This goes against everything I have wanted from my guitar builds for the last 20 years, but I'm going to have a play with making a rubber bridge or two

First things first - the rubber.  It's a Jewelers rubber bench block, very hard - still bounced when posted through the letterbox

These are the guitars I will be playing with. 


For both I will do a simple rubber bridge to see how it sounds, just a strip of rubber to replace the bridge/saddles.  Then I will try and finesse them into something that intonates, at least roughly
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  • RolandRoland Frets: 9129
    There must be a reason for this?
    Tree recycler, and guitarist with  https://www.undercoversband.com/.
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  • TTonyTTony Frets: 28444
    Roland said:
    There must be a reason for this?
    My first thought was slightly more succinct.


    "Why?"
    Having trouble posting images here?  This might help.
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  • droflufdrofluf Frets: 4211
    Roland said:
    There must be a reason for this?
    He wants to bring out his inner Aaron Dessner* :) a lot of the guitars on Folklore used a rubber bridge. Bit more here: https://reverb.com/news/the-rubber-bridge-guitars-taking-over-indie-music

    Trading feedback thread:https://www.thefretboard.co.uk/discussion/172761/drofluf

    Sporky: "Drofluf is a reverse vampire, who always appears in mirrors."
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  • WezVWezV Frets: 17500
    edited July 2023
    Sure, it's a very popular thing in modern indie music.

    I took a slice off the block and shoved it under the archtop strings.


    It has no right to sound decent, but somehow it does.   Obviously no sustain to speak of, but it gives a nice warm lo-fi tone straight off the bat.

    The main thing I want to know from this is how this rubber holds up to tension before I do more with it.  Also seeing the best way to cut and shape it.   The bandsaw worked well.   I may try the laser on it soon
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  • camfcamf Frets: 1203
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  • camfcamf Frets: 1203
    @WesV Can I have one too?  =)
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  • WezVWezV Frets: 17500
    camf said:
    @WesV Can I have one too?  =)
    The aim here is to see if I can do a version that works with standard parts. 

    For example, it would be good to have something that could drop in place of a Tune o matic without modification, or replace the saddles on a tele.   Ideally still being adjustable for action and intonation.



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  • camfcamf Frets: 1203
    I’d been pondering putting one on an acoustic. You wouldn’t want to overdo it but I really like the distinctive sound, especially for recording. 
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  • WezV said:
    camf said:
    @WesV Can I have one too?  =)
    The aim here is to see if I can do a version that works with standard parts. 

    For example, it would be good to have something that could drop in place of a Tune o matic without modification, or replace the saddles on a tele.   Ideally still being adjustable for action and intonation.



    How hard is it? Might sound daft, but could you just make rubber 'barrels' to go one screw some how? essentially just replacing what's there?
    Like wise for ToM, replace the saddles?

    Could be way off but it's my fist thought lol
    Self proclaimed Luthier and guitar building addict, professional man-cave dweller Website . Facebook . Instagram . YouTube
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  • WezVWezV Frets: 17500
    It's very hard, but I want to see how it wears.

    I don't think individual TOM saddles would have enough strength, so I'm thinking of a rubber topper on a solid base.

    As an example, Waterslide guitars make this.

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  • There you go, something like that. 
    Cool stuff
    Self proclaimed Luthier and guitar building addict, professional man-cave dweller Website . Facebook . Instagram . YouTube
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  • KittyfriskKittyfrisk Frets: 20601
    WezV said:
    It's very hard, but I want to see how it wears.

    I don't think individual TOM saddles would have enough strength, so I'm thinking of a rubber topper on a solid base.

    As an example, Waterslide guitars make this.

    Mmmm... liquorice bridges  :3 
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  • KittyfriskKittyfrisk Frets: 20601
    Being slightly serious, might not a black hot glue stick (7mm) do a similar job to the Waterslide effort?
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  • WezVWezV Frets: 17500
    I'm not sure it would be hard enough, or stay that way on a warm stage.

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  • barnstormbarnstorm Frets: 705
    WezV said:
    I don't think individual TOM saddles would have enough strength, so I'm thinking of a rubber topper on a solid base.
    Have you seen Jake Wildwood's work? Worth a look for some ideas. The bridges are quite ugly, but they seem to work.

    Also saw the other day that someone (didn't register who and it would take ages to go back and find the post!) is making a neatly machined, magnetic, rubber mute that snaps on top of the saddles to achieve the same sort of effect.
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  • WezVWezV Frets: 17500
    I hadn't, but shall take a look.

    I will say my 2 minute experiment with a block of £10 material  has already given pretty impressive results. 
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  • KittyfriskKittyfrisk Frets: 20601
    WezV said:
    I'm not sure it would be hard enough, or stay that way on a warm stage.

    Possibly, but if you are gigging at ambient temperatures consistently above 70°C then you have my respect  ;) 
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  • FunkfingersFunkfingers Frets: 15277
    That jeweller's pad material ought to make excellent string mutes for RIC 4001 and older Musicman Stingray bass guitars.
    You say, atom bomb. I say, tin of corned beef.
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  • KittyfriskKittyfrisk Frets: 20601
    barnstorm said:
    WezV said:
    I don't think individual TOM saddles would have enough strength, so I'm thinking of a rubber topper on a solid base.
    Have you seen Jake Wildwood's work? Worth a look for some ideas. The bridges are quite ugly, but they seem to work.

    Also saw the other day that someone (didn't register who and it would take ages to go back and find the post!) is making a neatly machined, magnetic, rubber mute that snaps on top of the saddles to achieve the same sort of effect.
    Rubberised magnets like those used in pickups, fridge magnets etc. should do. No?
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  • WezVWezV Frets: 17500
    WezV said:
    I'm not sure it would be hard enough, or stay that way on a warm stage.

    Possibly, but if you are gigging at ambient temperatures consistently above 70°C then you have my respect  ;) 
    Give them a go and let us know if it works


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