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Comments
3 Points - @fastonebaz - Again, the melody in the tamer parts suited the track and the face melting parts had some wonderful legato and other great technique in there. I envisaged smoke coming off the fretboard after that
1 Point - @flying_pie - Some good inventive lines in there and nice phrasing. I like how the solo sounds "distant" in the mix, but not buried. Very deceptive as it seems to sound front and centre.
Great solos again from @stratman3142 and @Bennyboy-UK , was that a bit of Bon Jovi that slipped in there, Benny?
Like it.
At the moment I'm looking for:
* Hamer Watson, SS2, Vintage S, T62.
* Music Man Luke 1, Luke II
Please drop me a message.
3pts @susbemol a masterpiece in composition, creativity and performance, I just preferred the tone of Stratmans
1pts @Bellycaster loved that wah section especially
Great work all round.
5pts @susbemol
3pts @stratman3142
1pt @fastonebaz
As ever I rate everyone who puts the effort in to write and record something for SOTM - well done everyone!!
Cheers,
Ben.
At the moment I'm looking for:
* Hamer Watson, SS2, Vintage S, T62.
* Music Man Luke 1, Luke II
Please drop me a message.
5 points - @fastonebaz - Super energetic shredz as usual. I really liked the kill switch bit.
3 points - @Bellycaster - Laid back but weighty tone. Nice buildup with the overlapping parts in the middle section.
1 point - @Bennyboy-UK has been a naughty boy with his Deep Purple and Bon Jovi quotes so he gets only one point this time. Joking of course, I liked that!
Feedback thread: https://www.thefretboard.co.uk/discussion/comment/3575378
3 points: @fastonebaz : Soaring melodic shredding. Steve Vai'ish. This stuff is your forte. Have to confess I slowed it down at about 11s using Transcribe! to nick the idea of that fast legato lick
1 points : @Bennyboy-UK : It sounded like you were really going for it and I liked the jokes. Good what you did in the break. The tone was perhaps a bit muffled for my taste
3 points @fastonebaz
1 point @Bellycaster
As always not really much between them and great playing all round. It all came down to what approaches were a better fit to the track subjectively
I don't even know what I did there Probably best not to slow it down, that's when all the sloppiness can be heard