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I have been playing guitar a long time now, and I would dearly love a new challenge. Was listening to some lap steel demo of the MP Simple pedal earlier and thought I really ought to learn to play slide. Till now I have only dabbled..
So what is a good slide to use?
Any good books, vids, youtube or online resourses
Any adjustments I should make to my guitar / string guage action etc... was gonna setup my new MIJ pink paisley for this..
Anything else?
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So far, I haven't had to do anything to adapt a guitar for slide playing on any of the guitars I've had, not even altering the action, although I'm aware that a higher action is preferable. Not tried it on the new Strat yet though. Mostly I used to use open G, but want to try to get my head around slide in standard too, mostly because Rory Gallagher
I do have a bit of a problem though. Cos I smashed up my left arm in a bike accident years ago, slide vibrato is a bit of a problem, takes a lot out of my gammy shoulder. Oh well, never mind.
http://www.thomann.de/gb/harley_benton_slider_ii_lap_steel_w_stand.htm
Sorry to be a bore / blatent fanboi, but this chap is a master of acoustic slide:
http://www.youtube.com/watch?v=bXsViH0oqfcThere's really only two common slide tunings in terms of 'shapes' though - open E is open D a tone up, so everything you can do in one works in the other, and the same with open G and A. No different from slapping on a capo.
In fact, since the intervals between the strings are the same in all four, the 'new' chord shapes you learn in, say, open G will work in open D or E - you just drop 'em down a string. The key is to think in terms of chord 'numbers' rather than names - I tend to play slide in open G so I've got my shapes for the IV, V, minor II and minor VI down pat without thinking about them; I actually have to take a minute to work out that they're C, D, Am and Em.
It's not a 'must', but it makes for smoother, 'nicer' licks when you're sliding about the place (and helps you break away from the pentatonic prison, should you be stuck in that ).
If most of your songs are in G then yeah, I'd be tempted to go with open G (puts you nicely into Rolling Stones territory as well; I defy you to stop playing 'Honky Tonk Women' or 'Brown Sugar' once you've worked them out); another option is to go into open E and capo up at the 3rd to put you in G. Advantage of this whilst you're getting used to slide is that all of your chords are at the fret you'd expect them to be if you were playing a barre across all six strings, so less likelihood of losing your place and making a horrible noise
Another thing to consider long-term is whether to push towards fingerpicking for slide - Ian Siegal and most other Delta-inspired bluesy slide players will often keep a root note going with their thumb while they play slide over the top of it to fill out the sound and provide a rhythmic base. Obviously you won't be too bothered by that if you're playing it in a full band anyway, but if you're looking at it at some stage then open G or A gives you more options for that low-note thumb 'pedal', since you can get both the root note and the V chord on the two lower strings.
I was amazed at how quickly I could make a useable noise on slide in open G, open E okay and absolutely sweet FA in standard tuning. |)
Whatshisname from Govt Mule talks about the secret slide tuning within standard - the D G B strings are the same as they would be for open G. So, for a small amount of slide you have got an instant 3 stringed guitar!
To a large extent modern slide players try to have a very clean technique but if you listen to Son House or even George Thorogood there is a lot of noise in their playing.
And wisdom to Ian about open G, lot of fun stuff to be played with that without a slide as a bonus if you go that way.
My 'slide' Strat is set up with a slightly higher action than my other guitars and 10-46 strings. If I didn't use the guitar for other things, I'd probably go up to 11s.
I always finger-pick when playing slide - it gives a lot of control over damping.