This may seem obvious to many, most of us old hacks probably think we know what we're looking for when buying a guitar....however even these days I still buy stuff then discover what turn out to be serious flaws
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So - what are the things to check when buying a guitar?
My own process - inadequate as it is - involves fairly cursory checks of paint / finish, nut and fret finish, visually only. Then I play it and if the electronics work and I like it, I buy it. Then I take it to
@ICBM who tells me what's wrong with it!!
I am sure though there are some basics I should be checking from a more dispassionate point of view.
Anyone want to chip in to build the ultimate 'buying checklist'?
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Ringleader of the Cambridge cartel, pedal champ and king of the dirt boxes (down to 21)
2. Discover why the seller needed to see the word Gibson on his cheap/expensive Singlecut guitar.
No....Scrub 2.
There is simply not enough time to go into that.
If you are buying vintage and paying the premium, be vary suspicions and careful.
On regular guitars many things can be fixed inexpensively if you are handy. But a refret, twisted (as opposed to bowed) neck, intonation (acoustics) or a neck reset for a fixed joint will be costly. Cracks and rattles in acoustic bodies usually require a luthier and his tools.
Finally know what the going rate is, if you find you don't like it can you flip it without getting screwed.
http://www.thefretboard.co.uk/discussion/57632/
What are the acceptable range of bridge heights in Gibsons?
I suppose what I was getting at originally was, can we crowd source a buying tips wiki / sticky. I realise that was a big ask here
Perhaps Streethawk is correct, it's too much of a minefield to distill down to s simple list.
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If I pick it up and strum a few chords and it doesn't sound good then the rest is a waste of time. If it sounds good then I check the other stuff. Personally I'm not that fussed about cosmetic stuff as long as the neck is straight and it sounds good.
Sight down the neck and see if the action remains similar/constant either side of the neck. A dip at the same spot by the same amount is OK and the truss rod will sort that (unless some twunt has broken the thread - worth checking if the neck has a bad bend).
Fret all positions and listen for a buzz (but naff action makes this less than perfect). Fret leveling is or can be a DIY thing to a degree.
Look at how the neck is set against the body on a set neck Gibson, you want the fingerboard almost parallel to the body and the bridge not sat up high on it's posts to get a low action. Very early LPs were actually slightly too low for modern playing action and you find some 52 LPs with the bridge filed away under the adjuster nuts to get a low playing action.
Anything that looks too good to be true usually is!