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Interested to hear what differences you and Drew think there are between mutes and chords between the different clips? You mention modellers can do either or, not both.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
I'll do some more reamps and a write up in a bit.
Personally though, I think most of these nuances are lost in a mix, especially to a live audience and extra especially to an audience member that doesn't play guitar. Plenty of useable tones in these clips imo.
Although this is for comparison purposes with more advanced modellers, please note that these sounds are also limited by my own ability to create decent sounds. Here are the files:
https://www.dropbox.com/sh/jltrgosf3ylw1js/AADgHIiRAUULyUM8HFce58S2a?dl=0
All clips feature the Eleven Rack built in cabs as it does not have an IR loader.
Using the "Les Paul DI - Drop C Tuning.wav", I tried to recreate the 5150III Blue channel clip (load box plus IR).
I used the Blue Channel of the Kazrog Psycho C ampsim. I also used (what I believe is) the same Own Hammer cab impulse (IR) hosted in Recabinet 5. Link to sound clip below:
https://app.box.com/s/ugv7tc39v7xo8zrl8p30ej2chl3v6chl
Bear in mind I'm not an expert on these tones.
I quite like his 5153 Advanced clip, where he tweaked some of the extra parameters. It does sound different, but I quite like it.
I'm struggling to get an acceptable sound out of the Helix - I didn't like the Panama at all in this shoot-out so it was interesting to hear Sporky say it was his favourite.
For the Helix sounds, I think the Line 6 Epic amp with tons of EQ turned out the best.
I still think the real amp plus loadbox is the best sounding clip though, and it's by quite a margin. Which is depressing me, because I really didn't want that to be the case, and now my brain keeps saying 'buy some Fractal gear... buy some Fractal gear...' !!!
I guess I was so shocked because daily, I get amazing sounds out of the Axe FX, sounds I could only dream of with my analogue setup.
Thing is, it's been a while since I owned a high gain amp, so I've been able to dial in high gain sounds on the Axe FX without being concerned if it sounds close to the real thing or not. All I know is that the Dual Rec patch I've created gives me what I remember the real amp gave me and more (parameters that don't exist on the amp - saturation, cut, motor drive and tonnes of other things). So I'm in the ballpark (I thought I was really close, now understand I 'may' not be) and that's what matters to me.
What I take away from this is that I'm happy getting great tones out of the Fractal and am not too worried about getting dead on. And like you, the tool needs to be fit for purpose for my needs too. If a riff I love playing sounds crap, I wouldn't use a certain piece of gear...but the Fractal has taken everything I have thrown at it thrown back some amazing tones that I really enjoy. So that is where it's worth its weight in gold, for me!
Like you said, the Axe doesn't necessarily sound bad, or worse, just sounds different. Certainly sounds great to my ears, but the amp and load box sounds better!
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
https://www.dropbox.com/sh/yfnqefjhuaxby07/AACHWu7pbBzm0w8-Io8R_93fa?dl=0
Signal chain was just interface -> Bogner Red -> AMT F-1 preamp -> interface for the "board only" ones, and interface -> Bogner Red -> AMT F-1 preamp -> JCA22H power section -> load box -> interface for the "power amp" ones.
I think the ones with "_v2" on the end of the filename are the closest to the one I used as the reference (the 5153 blue channel).
EDIT: On listening back on headphones, these clips are absolute balls - odd that I couldn't hear it on my monitors, but still...disregard them. Drew's sending me his reamp box, so I'll try again when that gets here.
This particular clip was a good challenge as it goes between some deep chugging and some open chords. Big dynamic range.
The test was prompted by a conversation between me and Drew on FB in which he mentioned his coworker reckoned the Kemper amps sounded better than the Helix. I said I agreed, and that I also thought the Fractal models did too and was willing to do a reamp test where he could pick all the variables (play the DI, pick the base tone and pick the impulse) and we could see if this was the case rather than just debating it. He told me to try to get in the ballpark of his 5150 iii red + loadbox clip.
I do think the 5150 iii red plus loadbox sounds best. I'm guessing it was pretty plug and play knowing that amp.
I was not able to match the Axe FX 2 5153 red model to the loadbox clip. Maybe there's more I could've done with the advanced parameters but I don't use them enough to know what else to use. I could either get near the chugs but then the chords didn't sound as good, or near the chords then the chugs didn't sound as good. And also I hate faffing about so much, as life is too short..
However, I still think the Axe FX was capable of sounding good and in the ballpark of the base tone. I do quite like the 6505+ tone which took me honestly about a minute to dial in. Part of my thinking was to show the Axe FX 2 really isn't difficult to get a decent amp tone from (which is subjective of course and I also think other people could do better). The only amp I didn't find easy to dial in was the SLO, which being honest I've never worked out how to use on the Axe FX 2. Still haven't!
Drew had to go to quite a length to get that epic clip using multiple extra EQ blocks and IIRC he had to use a tonematch plugin to find the EQ points (correct me if I'm wrong). I don't think Drew got close with any of his other clips, the low end character on all the other models is quite different on the palm mutes. The chords and general EQ was fine. Drew is a very talented guy so I don't think he's missed anything. Possibly it's because there's no 5150 iii model but I made sure to record versions with equivalent Fractal models (there's no Archon) so that they can be compared which is hopefully useful to some.
I think the closest I got on the Axe FX 2 was the 5153 advanced clip but that was a bit of a pain to dial in if I'm being honest. Ordinarily if I needed to do that much advanced tweaking I'd have just gone to a different model.
... which is more than I've done for any other patch on my Axe FX! For whatever reason I wasn't really feeling the 5153 red with basic controls. I'm not sure if @Drew_TNBD ;posted how much EQ he needed to get that Epic clip but I assume similar levels of faff to my advanced clip. I think we both think we could've done better on certain things but there's a limit to how much time needs to be spent on something like this, plus... it shouldn't be too difficult or else there's not much advantage to digital.
The beauty of the Axe FX 2 for me is that with 258 amp models there's always another option. Usually the 5150 block is my favourite for this kind of tone but in this case I preferred the 6505+. And while a real amp can be better (I actually think the modellers sound better than the Sig X in this test) I've yet to come across a tone I was unable to get in the ballpark of to the point I was happy. I'm definitely satisfied with my Fractal and have no GAS to replace it.
I've not been at my computer since I posted my last round of clips so haven't had a chance to check out the other clips posted. I've been interested in preamp pedals for some time as I still use them for recording bass over the Axe FX2 (which doesn't model the pedals I use, but that's for another thread!)