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I guess because of the type of music the band plays the OD is nearly always on. And what I love about that Nobels ODR-1 is that I don't hear it. It's not transparent by any means but it's not smearing its own sound over what I've set my amp up for.
Oh
Kay
I used to use one allot, but don't really need it anymore with the way I have my guitars set up
Radial Big Shot input switcher
Pitchblack tuner (on a spur from the Big shot to mute output when tuning).
Dunlop Wah
Blackstar HTdrive
BOSS OD-1
Arion SOD-1
BOSS BF-2 flanger
Danelectro CC1 Cool Cat Chorus
BOSS TR-2 tremelo
BOSS RE-20 Echo
Aphex Type C Aural exiter
BOSS RCL10 micro rack Comp and Gate
I tend to leave the Comp set subtle and always on as well as the noise gate. The benefit of a more consistent output to the HRD combo being the choice when swapping guitars (the big shot also has a gain trim on one intup socket).
Otherwise I dance on the pedals but don't twiddle them on stage, the combinations of basic good settings being enough when taken with the 'right' guitar for the cover song if possible.
Oh and yes it's big and heavy!
Compressor (SP)
Boosters (EP and SHO)
Noise Gate (Decimator G string)
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com