It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
I agree I've just come to understand the chords fitting over the scale positions, so by chord tones you mean just playing the notes of the chord you are playing over? thanks for your reply
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
I'd be inclined to goof with:
Chord I: Em - use key of Em or E Dorian [could sound pretty cool because note 6 = C#, this will switch to C when chord IV shows up]
Chord IV: Am - use key of Em
Chord V: B - use E harm min or E mel min
wrt B that is F#(5) A(b7) B(R) C#(2) E(4)
so as @viz says, you have most of the notes required to characterise the B dominant chord. These notes are also present in the B mixolydian scale (the 5th mode of E major), and in the 5th mode of E melodic minor (whatever that's called).
I'd be tempted to use E harmonic minor (R 2 b3 4 5 b6 7) ie E F# G A B C D# throughout because it maps exactly onto Em Am & Bdominant chords.
Seriously: If you value it, take/fetch it yourself
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
These chords are built using every third note of the scale, so are called Tertiary chords.
is it crazy how saying sentences backwards creates backwards sentences saying how crazy it is?