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Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
Nil Satis Nisi Optimum
Vizdom awarded, Octa. Those are great. You can do them for ever, each time modulating from the I of the previous ii V I to the ii of the new ii V I, just be going from major to minor. Where's @Barney 's thread where he noodles over the cycle of 12 ii V Is?
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Nice, yes, each chord having it's own harmonic universe.
"Any minor 7th chord could be treated as the ii of a ii V I."
Also, any minor chord can be heard as being the tonic of it's own Harmonic universe.
You can even think/hear Dom7th chords as being tonics of their own Harmonic Universes.
In fact, if you get away from the imposing nature that's been subjected on us musicians by Major and minor harmony, I think that any chord can be heard as being the centre of it's own harmonic universe. This is true Modal thinking/hearing.
another nice II V I is to place chord II in 1st inverion
the outcome is that you'll have II V I with the chords, and IV V I with the bass notes..