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Fair play for actually opening up about things finally.
I disagree pretty much 100% with most of the things you are doing, but hey if it makes you happy and the people that buy them are happy then just carry on as you are. (Its a free country after all)
At least we can all agree that we love guitars.
And yes Octatonic who invited you here is a very nice guy indeed!
There is nothing really left to say now other than I wish you and your family well and keep loving guitars!
And the offer still stands, just PM me if you want to talk in the real world, i'd even meet up with you for a drink.
Take Care
Sheldon
We don't know much and do much about guitar because we love talking about them?
Anyway...
With regards to the nut, it does matter how they're cut. It's not tradition, it's a combination of tone, tuning stability and playability that has led to nuts being cut the way they are. You can have a nice low action with a correctly cut nut - I think the difference would alarm you. You only pick up poor quality guitars from the 80s and from brands like encore which typically are not going to have a great set up or made from great materials. But go into a proper guitar shop and try out a Squier or epi and I think you'll surprise yourself at the factory set up.
Besides which, most shops will alter the set up on sale anyway, letting you choose a string gauge and height preference.
Let's assume the bottom of the nut on your guitars is perfect - as in, the strings don't catch and there are no overtones. The nut is too high - it's going to cause problems when sliding back down, so it will be uncomfortable for quick moves from lead to rhythm, for example.
So, let's talk about the bridges - 7 string ones. This is, without a doubt, a bit of a bodge. The notches in the saddles don't look like they'll hold the strings for heavy strumming or big bends. The string spacing looks uneven, too, which is no surprise because the bridge is not made for super wide spacing.
I'm not totally against the idea of a wide neck guitar (though there are plenty of folks with big hands who are proof there isn't any desperate need, I feel a guitar should be comfortable and who am I to say what should make people comfortable?) but to convert a 7 string by bodging the bridge and removing a tuner isn't a great way of going about it.
I'm not a tech, and I'm giving my guitar to a pro to sort out, but they will level and polish the frets, file the nut properly (it's a new nut, so it's massive) and sort out intonation and radius. If it came back with a nut looking like yours, I'd give a poor report on here, for making the guitar look worse at the very best, and ruining open string tone and tuning stability at worst.
Studio: https://www.voltperoctave.com
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He might wish to think on the fact that no other UK guitar maker, modifier etc has suffered the same level of criticism on this, or spread across multiple forums. But I'm betting he probably won't
Perfectly summed up @WezV
The first guitar I built ... cut from a mahogany counter top when I was 15 ... er ...nearly 40 years ago was as rough as a badger's table manners. Barely played, but I was chuffed to bits with it ... so with the next one I learned more ... and so on. Now it's not wood and strings I 'slap together' but magnets, bobbins and winding wire, but the principal's the same. It's a proccess of learning ... and it never stops. I study past work by Bill Laurence Kent Armstrong, Larry DiMarzio etc ... all brilliant pickup makers, and pioneers. I develop my own techniques true, but I look to their quality as the benchmark to which I have to aspire.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I'm glad you are subtle as usual this morning
(doffs hat)
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
If we applied the same logic to the accepted way of doing things when it came to gas fitters or car mechanics...Well you get my drift.
I think that means - by definition - that your experience has not been with real luthiers. To be called a luthier means that they absolutely know about what makes a guitar play properly, and how to make it do so.
Perhaps your experience has been with charlatans, or perhaps - and I'd be inclined to think that this is more likely - the luthier has set up a guitar to play in a typical or standard way that you personally don't find comfortable.
That is completely true - although I think you'll find constructive criticism here more often than you'll find destructive hole picking. If you read through the posts in the "other" thread, you'll find a lot of comments from people who want to actively engage with you to help develop your knowledge and skills, not just to poke fun or ridicule.
Sometimes there just is a "right way" of doing something, and everyone agrees that it is the right way because all the other options have been tried and proven to be less right or wrong.
My request at the top of this thread, for people to refrain from personal abuse comments applies to you too.
All I can add to that is that no matter how much abuse Gibson, Fender et al might receive on here about their looks/finishing quality/style, etc, there are literally tens of millions of musicians down the years who know that their way of doing things is the RIGHT way. The reason that we are so sure that Mr Phillips's way is wrong is because the big boys have spent hundreds of millions on research into what does and doesn't work. They're not making it up as they go along. Do you really think that Jimmy Page, Jeff Beck, Eric Clapton, John Williams, Paco Pena, Segovia, Martin Simpson, Martin Carthy and more would put up with substandard experiments? They don't want the very best, they fucking DEMAND it, and woe betide the supplier who doesn't provide it.
Have you ever - has anyone, ever, anywhere - seen a guitarist like John Lee Hooker or BB King or Pete Townsend or Slash or anyone who makes their living out of playing guitars use an instrument that looks even vaguely like Mr Phillips's work? Yes it's absolutely true that received wisdom can sometimes be the precise opposite, but not in this case. These methods have been tested literally to destruction over centuries, since the very first lute was made by the first person to be called a luthier.
And if you think no one has ever tried doing it your way, Mr Phillips, then you're wrong. They have. And discarded it as unworkable and unplayable. How can I be so sure? Because if it was right, THEY'D STILL BE DOING IT!! These companies are not run by morons.
And before you claim that my comments only matter to guitars that cost thousands, they don't. Because Fender and Gibson and PRS don't spend millions developing and supporting their Squier and Epiphone brands (PRS don't have a separate brand for their cheaper guitars) just so they can churn out shite. First, it would destroy the reputations they've worked so hard for in a nanosecond, and mainly because their cheap stuff simply isn't shite. You can get a second hand Squier for less than you sell one of yours for that's as good as any guitar you can pay 500 quid more for in terms of playability and looks. They just use cheaper wood, pups and mass production techniques, that's all. The Vintage brand is a perfect example of this - mass production techniques and cheaper materials allied to smart thinking and good design have produced a brand that many thousands of part-time musicians swear by for all of their pub and wedding gigs. They're just one of a score of similar brands producing instruments that mirror the expensive stuff as closely as possible.
I could go on, but I'm probably wasting everyone's time by banging my head against a brick wall.
Just because we disagree with you doesn't make us pricks. Just because you disagree with us doesn't make you right. We have the evidence of literally billions of dollars of research and centuries of experimentation on tens of millions of instruments and musicians in front of us to show you that you're wrong.
What do you have but a handful of ebay positives?
Almost everyone on here was willing to give you the benefit of the doubt. Your replies have burnt that goodwill away in a self-destructive fashion that I remember I started doing myself when I was 14. It took me a long time to learn some very painful lessons about getting along with people. You still need to learn them, I'm afraid.