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I remember an anecdotal story about the reason flamed woods first got used in violins. The maple was often used for oars, the flamed oars broke a lot easier than straight grained ones, so it was subsequently available cheaply. Sometimes for free as drift wood
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Hey, just for completeness, Mike came back to me on this the other day - regarding strength of plain/flamed/quilted maple - he said, it depends what you mean - if they were sticks - plain (rock) maple is the hardiest and quilted easiest to break.
So thats covering both; difference species of maple, and figuring of wood as separate subjects.
He then said pretty conclusively, "If you are thinking quilt for the neck, absolutely not! Grain is all over in it".
- thankfully I'm not for the guitar he's building for me.
So check it out, we all live and learn - including very publicly, me!
At the moment I'm looking for:
* Hamer Watson, SS2, Vintage S, T62.
* Music Man Luke 1, Luke II
Please drop me a message.
I do see some people trying it sometimes... It can make for a great Instagram pic, but not a reliable guitar neck.
Flamed is okay normally, but it pays to judge the bit you have.
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At the moment I'm looking for:
* Hamer Watson, SS2, Vintage S, T62.
* Music Man Luke 1, Luke II
Please drop me a message.
1980 Tokai LS-80
At the moment I'm looking for:
* Hamer Watson, SS2, Vintage S, T62.
* Music Man Luke 1, Luke II
Please drop me a message.
At the moment I'm looking for:
* Hamer Watson, SS2, Vintage S, T62.
* Music Man Luke 1, Luke II
Please drop me a message.