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You can change it, but then you've spent quite a lot of money and could get something very nice from a custom builder in matching orange if you wanted
I really don't know why Orange put V30s in everything. I can't think of a single one of their amps it actually suits, compared to the two or three alternatives (all Celestion, so not a supplier issue).
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Feedback : https://www.thefretboard.co.uk/discussion/58125/
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
There was a 15w all valve Vox amp head called the Night Train that was their take on the TT that I had on loan from Vox with a 1x12 Greenback cab Different class and infinitely superior, way more musical with great cleans and distortion, Inc a gain boost switch that was brilliant...and it looked great and came with a nice little padded gig bag/ cover. I was really sorry to have to give it back.
I didn't love the greenback either, it sounded better with a G12H30, but not enough to make me keep it.
The fuckaboutary continues...
So, when I auditioned that old 70's PA cab I recently bought, it was through an early model 2006 Korean made Tiny Terror that had been modded with a couple of voicing switches, an FX loop and had the cathode bias adjusted. I went back to the shop and part ex'd my later model Chinese made one for said Korean and also acquired an old Arion EQ pedal that the guy had also modded to go in it's loop.
Totally fixes everything I struggled with. Totally.
Although still too mid focussed, even with the amp set to stock it sounds clearer, less muddy and less congested. The 'voicing' switches go only some way to improve a cleaner tone, one switch adding slightly more bass, the other adding attenuation. Put the 5751 in V1 again, coz I like it - haven't bothered with the RFT ecc82 in V2 as the amp sounds more open anyway. Popped the EQ pedal in the loop with the 'V' shape and boom, knocked the honk right out of the bastid. House volume tones now have proper girth, no honk and loads of tweakability.
Get in. I was having buyers remorse about this one, WTF am I thinking/tone chasing to nowhere/am I being a complete twat?
No worries in the end. Just a bit of a twat, no change there.
End of project I think. I might swap the Celestion Marquee he put in the cab, but it all sounds so fat and clear now that can definitely wait.
Unless of course I see a bargain of an H magnet, A type or CL80 somewhere.
Feedback : https://www.thefretboard.co.uk/discussion/58125/
Gigged a Fender Bassbreaker 15 combo for a few years... I found that got a bit honky ... nothing special but serviceable.
The TT's are Laneys. Those are the rules
PS Sorry for the thread hijack.