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Comments
This decentering has been a useful starting-off point for me, but honestly it's also gotten me thinking a lot more, and more clearly, about notes all around the fretboard. And as my fretboard knowledge has improved, the need to fall back on "major" has diminished as well.
Any other tips?
It's just like maths - you wouldn't teach a child Pythagoras until they'd learned what triangles are and what square numbers are, before you combine the two.
Excellent. Very good for players starting on the modal adventure, who know their pentatonics.