Edited title as I'm starting to like this guitar and feel bad for referring to it as 'SCABBY'
This is a 2001 Gibson LP Studio. I only got it recently and although I love the way it plays and the frets are in great nick, rosewood board has some lovely grain in it etc, the ebony finish was very beat up, with what appeared to be marker pen writing on the back. Even the old punk in me just couldn't live with it. I also couldn't abide the normal lifting of the headstock lacquer from this era so it also had to go.
I started stripping it last week and fully intended to do a goldtop until I saw the maple cap. Warning
this is pic heavy as progress has been rapid, but I'm almost at the stage of final nitro lacquer as I write.
Edit: I completely forgot the grain filling stage on the back for anyone who’s wondering or thinking of undertaking anything similar. I used Rustins mahogany thinned with mahogany stain and wiped on with a rag. Twice. Easy stuff.
Paint stripper applied.....
That maple cap looked good to me.
The back is 5-piece! This is after around 4 coats of dark brown mahogany stain. I took advice off a good mate of mine who is the biggest LP nut I know and he said "do a dark back to hide those joins Mick"! I also had to tint the sanding sealer for that to happen.
It was a good shout. Although still visible, it looks OK. I also masked for faux binding.
It's not hard to do better than Gibson did here! This was after completely removing the old finish, a coat of adhesion promoter and a coat of black primer.
Then on with a few light coats of nitro black, followed by new waterslides (I got these from Crox guitars for anyone who's wondering. I've used them before and although they were £12 a pop they are worth it in my opinion).
After sanding sealer/flatting ready for masking and the exciting bit.
I decided to use anything I had already in my private stash. Out came the yellow stain to tint more sanding sealer for the base colour:
I stopped at 3 light coats:
Burst time. I mixed red mahogany and dark brown mahogany stain together and held it up to the light. I was going for a heritage cherry look and was happy with the result:
This is how it looks right now. Lacquer next. I'll post some final pics up when it's complete. I've obviously got all black plastics and speed knobs and will be sticking with them just to get away from cream for a change. I'd forgotten how much I like restoring the finish on Gibsons. They're a joy to work on compared to Fenders!
Comments
But! What would it look like with a (good quality 2-pack) cream paint applied? Only this time by actually extending on to the top by 2mm to emulate the depth of binding.
It looks just-about-perfect to me, as-is and I can't see how more paint would improve it.
Natural beauty vs the falseness of make-up?
Ian
Lowering my expectations has succeeded beyond my wildest dreams.
As for "when am I ready?" You'll never be ready. It works in reverse, you become ready by doing it. - pmbomb
I’ll experiment another time, just not on this one.
I knew I could rely on you lot. Cheers!
Good call on the faux-binding. Agonised for a long term whether I'd dare attempt scrape the edge of an Eggle Berlin to give it the look of the faux-binding option that some of them came out of the factory with. Looks more 'natural' to me than cream - and besides, just means you have something that's even more unique.
Great job