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"“Snowmanning” is the icy cold way of rejection where a new flirtation disappears once the Christmas period is over. The trend sees many singles taking inspiration from the 1982 animated film “The Snowman.”"
I dunno WTF would be expected to know that, but hey.
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But so what?
I recall some genuine jeopardy and tension the big beach-rescue episode of Fireman Sam - I found it surprisingly well paced and ratcheted up the drama - but there were also clunky bits that were only likely to go unnoticed as such by the children it's largely aimed at. Which is fine. It was my choice (sorta...) to be watching it.
^ only SLIGHTLY tongue in cheek.
When I was small, there were things happening in Dr Who plot lines that completely passed me by - because I was a kid. I was enthralled and lapped the whole thing up. As will the children coming to it now. I suspect some of the adults watching it back in the 70s lamented some of the more simplistic aspects of it. Big whoop.
Oh, and Moffat is writing the Christmas episode, which he's quite good at.
Well the good news is that TFB is still doing well on Google - as I just searched "doctor who snowmanning" to try and find where the reference was... and only found this thread!
I'm not sure I'm bothered by the viewing figures overall - the show has ultimately been on now (new "season one" ploys etc notwithstanding) for 19 years
I certainly don't think homophobia or racism has much to do with it, I certainly don't think 80% of the viewers are either homophobic or rascist... I even think it's quite possible to easily agree to disagree...I didn't think the virtue signalling was that bad, and it didn't bother me, but I'm happy to accept it bothered some others.
It's not as good as it was at the peak of Tennant's era, and it probably has limited it's own appeal a bit, though I'd argue that every series after five (basically a Tennant season with Matt Smith in it) has contributed to that.
Moffat wanted everything to look clever, so had plots that were hard enough to follow that even fans didn't get them (you never had to explain who "the hybrid" was to anyone?) and in the end just went really dark (The Doctor Falls was brilliant, but very dark and sad).
Then Chibnall went way too far the other way, and only found his feet just before he left a job he probably shouldn't have taken as he didn't like it. His low point was the series 11 finale. I actually really liked several of his episodes, the Flux stuff was OK, his final episode was great, and the special with the Dalek time loop was actually brilliant.
Now - we have RTD back - and I'm not sure what I'm supposed to not like? I like Ncuti in the role so far, he's a strong actor who can do camp and silly and then do serious a minute later. I love Millie, and I loved her character as soon as she ran to save the baby from the Bogeyman.
About 9m 20s
tbh I was a bit triggered by the whole “those families of the war dead are lucky so and sos aren’t they? What with having nothing to REALLY be sad about.” :-/
That was a good old scifi anti war parable, with the foreseeable twist that their real enemy was the pricks selling all the weapons. There's a lot of that about.
The woman playing the ambulance bots was genuinely sinister, the fate of the troops suitably tragic, and again strong performances from Ncuti and Millie.
Now starting to think the real issue is down to the two women that run DW these days Such a shame ☹️
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