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Literally everyone else loves that song, I love it, I love playing it every week to live audiences, they go mad for it. Whatever you think about it it is a special song. And have you tried to learn it? Not the easy way, the proper way. Getting back to that opening chord after the chorus is difficult, and the inversions in the chorus are a stretch, it's not a beginner song by any means. Playing it live properly does take some concentration.
Yes, I've listened to other songs too.
I can't stand the killers and this song in particular, but I am a joyless tosser
I don't think there's a duff song on the whole album though, so much prefer it to the 2nd album.
It is hard to play properly though. When I have to grin and bear it in the cover band I do a cheat version with a capo, there's a video on YouTube that shows how to do it. Very useful, though you're screwed if you forget your capo.
Much like Sweet Child O' Mine it's one of those songs I had to get "under the bonnet" and learn properly in order to do it live.
It's an absolute pig to play that weird intro shape - I reckon the guitarist was messing about with the Hendrix sharp 9 thing up high on the neck one day... and voila.. ?
I wimp out and capo at the 4th / Johnny Marr at Glastonbury style - it doesn't get you that top E(b) ringing in unison on the original doing it this way but close enough for rock and roll - it makes the verse arpeggios an absolute doddle though.
I never get tired of playing it - a) it's a killer (!) tune and b) the crowd reaction it elicits - it never never fails.
Tragic what happened to the original bass player - pyro blast at Wembley wrecked his hearing -
https://www.huckmag.com/art-and-culture/music-2/mark-stoermer/
From a theory point of view it's got a drop from the root to the maj7, that's a melancholy interval for a lot of people and a trick used in a lot of old love songs. The added 9th adds to the melancholy feel ... it's a piano voicing really.
There's only one inversion in the song that's hard to play ... the G5 add 6 inversion, spanning form the 3rd to the 7th fret it is a bit of a stretch.
One seems to confuse a lot of bands about this song is they think it's played in Db ... but you can hear the open E string adding a 9th constantly so you know it's played in D and you need that open E string to get that effect so a capo won't help.
I either play it in D but tuned down a semitone or detune the top E a semitone and play it in Db
But knowing me I'd forget to retune the top e string after...
I also hate trying to do that 3rd to 7th fret stretch on that verse chord whilst letting the open strings ring out - uncomfortable.
@stickyfiddle blues rock and hilarious prog couldn’t be further from my music of choice - that was kind of my point, I love a good ‘indie’ band (if indie is even a genre - but that’s another debate!)
Happy Xmas everyone!
We just play it in D. Funny verse chord shapes but you lock it in muscle memory playing it two or three times a week